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Meng Chuan wrote the pen and drew the ‘World Gate’ in thick ink in the center of the whole painting. A monster is densely packed coming out of this World Gate and spreading towards all directions.

He drew slowly, only drawing a rough outline of the illusory shadow.

Then focus on painting one of the monsters on the far side of the spread of all directions, that is a great monster, the great monster painted very carefully, because that was the most impressive one when he was 6 years old when he was hunted by monster monster.

……

When Meng Chuan was painting, in the forehead space, the translucent villain began to bloom the rays of light of spirituality. For so many years, since “Portrait of All Living Things”, this is the second time that the translucent villain has changed.

……

Meng Chuan is immersed in the painting. He mainly draws the mantis monster and the family of three who are chased by the mantis monster.

The father carried the child on his back, and the mother held the sword and rushed to the monster.

In this picture alone, Meng Chuan drew very seriously for more than 2 hours. This is just a corner of this huge painting.

When he stopped writing, Meng Chuan discovered the change of forehead space.

“My villain in the forehead space actually glows slightly?” Meng Chuan was surprised, but gradually the spirituality rays of light weakened.

“The appearance of this forehead space actually has something to do with my paintings.” Meng Chuan was surprised. At 16 years old, he painted “Portrait of All Living Things”, which is also his most famous painting in many years. The night after painting, he discovered the forehead space and owned the power of heart and soul. But at that time he did not dare to be completely sure about painting.

I’m afraid it’s just a coincidence.

But this time painting, the strong emotions are no less than when painting “Portrait of All Living Things”, the villain of the forehead space blooms the rays of light scene, let him be completely determined.

Related to painting!

“I’ve never heard that painting will produce mysterious power of Heart and Soul?” Meng Chuan thought for a long time, and didn’t want to understand, “that’s all, when you enter Primeval Mountain, you must find out.”

At least for now, power of Heart and Soul has helped me a lot.

******

From this day on, Meng Chuan fully integrated the strong emotions in his heart into the painting. This painting also takes a long time, ranging from one hour per day to 2 hours.

After spending more than 6 months, Meng Chuan finally finished painting.

This is a set of pictures divided into 3 pictures.

1st, 6 feet long.

In the middle of the scroll, the World Gate has a densely packed monster coming out and spreading towards all around.

monster chase everywhere.

There are parents who want to protect the child, but they are all pierced by the sharp tail of the monster.

There are scenes of dead bodies.

There is a child standing there crying, and the old man meets the monster scene.

There are also scenes where father is carrying his child and mother is holding a sword to resist monster …

Meng Chuan drew a total of 38 scenes, each of which clearly depicts monsters and people. Those are the scenes he experienced or saw in person. Each painting … makes the “flame” in his heart even hotter.

……

Then peripheral.

A little further away from the monsters, dao academy disciple on Path, street vendors, and ordinary pedestrians all lose one’s head out of fear.

……

Outermost.

There are Jade Yang Palace and three Daemons are waiting in line.

There are other places everywhere.

In dao academy, weak and weak disciplines all enter the tunnel, while stronger disciplines each and everyone are either persevering or looking at the monsters in the distance. Under the leadership of dean instructor and the others, these youngsters, together with some retired adults, are preparing for the battle.

Ordinary houses, restaurants and other prosperous places, Daemon Family… without exception, women and children, old and weak, and other weak people are queuing to enter the tunnel.

And each and everyone is strong, regardless of men and women, regardless of the old and the young, all face to face.

……

The sun in the scroll has just emerged from the edge, clearly indicating that the monster race invaded in the early morning hours.

This is just a 1st painting.

2nd painting, 8 feet long.

It’s much cruel and bloody.

The core area invaded by monster in the center of the screen is a corpse, which is common to men, women and children, and some youngsters are wearing dao academy robes.

In all directions, it is fighting everywhere.

One human warrior is holding a shield against the monster, and another human warrior shoots an arrow at a distance.

A human’s abdomen is pierced, but he can still hug the monster tightly. Another partner, Blade, cut the monster’s head.

There are humans laying traps and successfully killing monsters. There were other monsters rushing by.

Father and son have teamed up against monster.

Veterans with disabilities are dealing with monsters.

……

All kinds of tragic scenes that Meng Chuan has seen with his own eyes are common occurrences of Dongning Capital being invaded by a monster race. He just painted these one after another in his memory. In the eyes of those who were with monster perish together, the companion’s pain continued to fight …

“What are they trying so hard for?” Meng Chuan was confused.

But in the process of his painting.

When he draws the living people of each and everyone, he understands.

They are for hope.

For the loved ones who care about the most, there is hope. You can also see the sun rising.

They need to fight and give the family a live path.

……

Dao academy is also fighting there, the monster race hit Fiery Yang Stronghold, a veterans, soldiers and the very young youngsters furiously resisted. Life built a wall to protect the weaker junior brother and sisters who were hiding in the tunnel.

……

Daemon Family is also fighting, an elder is rushing to the front to resist the monster, and the younger juniors, youngsters are also fighting. A bald old man rushed to the front, but his chest was penetrated by tentacles, but he still killed a monster with a blade.

……

Jade Yang Palace is also fighting, a Daemon has fallen, a female Daemon is struggling to support, but only a male Daemon is still fighting against four Monster Kings.

They only have one Daemon with enough battle strength, but they are still fighting.

Also for hope.

……

The sun in this painting rose again, higher.

The whole picture is fighting everywhere, and Meng Chuan painted this picture for 3 months.

******

3rd painting, 6 feet long.

The situation on the whole battlefield reversed, people in all directions began to attack the monsters, and the monsters began to flee.

All monsters are at large.

They will also be fearful, embarrassed, and each and everyone will be beheaded.

Their crazy ‘World Gate’ at the Imperial Court rushed away, that’s where they came from, and now it’s where they escaped.

And the periphery.

Jade Yang Palace, a sword light dropping from the sky beheaded to Monster King, and other Monster King also fled in embarrassment.

In dao academy, everyone is treating those who are seriously injured, including adults and youngsters.

At the same time, there are people who died in war, men and women, young and old, who are still dead, or still very young, or very beautiful, or very old. Many people beside the people who died in battle were crying and sad.

Everywhere.

Ordinary houses, restaurant teahouses, Daemon Family, etc., all began to treat the wounded and conquer the dead bodies.

There are also many monster bodies scattered around, but people are too lazy to take a glance, they are more caring for the wounded and grieving for the war dead.

Despite the victory, the whole painting did not feel joy, what I felt was ‘fighting intent’, a stronger fighting intent! The hero is dead, but people who are alive will continue to advance and fight, and never stop.

To the east of the city, the sun rises even higher.

The color of this painting is also the brightest of the three paintings.

……

Meng Chuan was silent for a long time after painting, before he wrote 4 words on the last painting-‘Towards the Morning Sun’. He did not write a name for the 1st painting and the 2nd painting.


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