Daily Supervising

The wind kept whistling in my ears, and brought many crystal snowflakes.

Carrying the power of the wind, the snow falling on the face hurts a bit, as for those falling on the hair and coat, it feels nothing.

call! call!

It seemed that I just remembered that I needed to breathe, and I just seemed to have forgotten it, so it became a lot rush.

Opening his eyes, the sky was a little gloomy.

Hiroko Watanabe was lying in the snow, and the white gas from her mouth seemed to tell her that she was alive.

Since it's still alive, get up.

Standing up, with a black coat and black leather shoes, Hiroko Watanabe looked at the world with black eyes.

There is a vast expanse of whiteness, and there are trees in the distance, as if the whole world is left with snow and trees.

Just like her heart.

Let's go.

Hiroko Watanabe did not speak, but just lifted his legs and walked out of this very special snowy field.

At this time, her whole person slowly became smaller and smaller, only to realize that she was just a very small point in this world of snow and trees.

Even if it disappears, it doesn't seem to have much impact.

This is the first shot of "Love Letter".

...

"Wow! Sri Lanka One!"

"This shot is great too!"

"It is, it is... I don't know what to say."

"This, is this me?"

When Miho Nakayama came to Otaru, the "Love Letter" crew had almost prepared, so he took the first shot according to the script.

To be honest, Miho Nakayama didn't have enough preparation. Although she had obtained it before and still had a script, she had too much work and too little time.

What's interesting is that the young supervisor Yukiko Kusano had very strange requirements for this shot.

No lines.

Whatever you see or think of, just do what you look like.

Remember, hold your breath at first, hold it hard until you can't hold it anymore.

Miho Zhongshan has also filmed a lot of film and television dramas, but no director has ever requested such a request.

Because these three requirements are too simple, but since Supervisor Kusano only requested that, then of course I have no problem.

It's just that Miho Nakayama didn't expect this filming process.

The requirements for her are very simple, but the requirements for others are very, very high.

Moreover, large-scale machinery is also used.

Until the filming was over, Yuki Kusano simply and generously asked everyone to watch, even if it was a scene in the play.

You know, this is a relatively rare situation. Generally speaking, actors can only see the finished film. During the filming process, the director will not let the actors see what they are acting. This may cause the actors to play.

But since you let it be seen this time, let's take a look. This is what you young supervisor requested.

But when she looked like this, she was completely suppressed.

That's great!

Not only her "big thing", all the staff members exclaimed after seeing it.

This lens is really great!

In the entire lens, there are almost only two colors, black and white.

The black one is the tree, Hiroko Watanabe's hair, her clothes, and her eyes.

The white is snow, and her skin.

The snow in the sky, the snow in the whole world, this white envelops the black, and because of this envelopment, the black is more conspicuous.

Moreover, there is a very powerful mood in this shot, and there are quite powerful things, but now that I look at it this way, I still don’t understand what it is?

It's like the feeling of being unclear.

Miho Nakayama was shocked, as were Morita and the others, and among them, the photographer Haru Muto was most emotional.

He just came down from the'air'.

"Gada!" Seeing his masterpiece, he smiled like a child.

How exactly was this lens taken?

Although Yuki Kusano has almost no requirements for Miho Nakayama, he has very high requirements for this lens. Yes, this is what Miho Nakayama sees, and what his supervisor requires of other staff.

In fact, Yuki Kusano only made a sentence from the beginning.

"I want a long shot!"

The so-called long shot is a shot that takes more than ten seconds.

Ever since, how long the long lens is, this is the key, and in this lens, there is a special difficulty.

Take a panoramic view.

From a close-up view to a long-range view, this is the difficulty, and the far view has a panoramic view, which is even more difficult. Moreover, it was determined early in the morning that the shooting location was in Tiangu Mountain.

Tengu Mountain near Otaru, the scenery here is really beautiful, and the panoramic view will naturally be beautiful, especially the place we found.

An area of ​​more than several thousand square meters is full of snow hills.

To wake up from Watanabe Hiroko from the snow, and take pictures of her going down the mountain and leaving, only one shot is needed.

So, in fact, it is like this. Kusano's simple request, in just one sentence, for a long lens, created a huge difficulty.

However, the young supervisor will not lower his requirements, I just said a word.

How to do?

Let's start from the back. If you want a panoramic view, a helicopter will definitely not work, because the snow will be blown away, so there is only one possibility.

Crane, long boom crane.

But, what about the first close-up shot?

Do you want to stand and take pictures of Miho Nakayama's sleeping position?

That won't work, because the heroine has to stand up. In this case, the lens will have many changes and will be unstable.

Finally, I finally thought of a solution.

As a photographer, Haru Muto needs him to lie on the snow. The camera is also lying on his stomach, taking pictures of Miho Nakayama's profile. Then, when she gets up, Haru Muto will be hung up.

It's just that he was hung up while lying on his stomach. Fortunately, he had a Steadicam stabilizer on his body, and the camera was hardly affected, and he didn't have to work so hard.

Steadicam wears something like a terminator, and this thing was invented by the great director Kubrick and his friends, in order to obtain more stable shots, and this great director is also famous High and weird.

Kokano is the same today.

Ever since, Muto Haru's aerial posture is quite strange, but fortunately, we succeeded.

Just such a lens, excluding labor costs, cost 1 million yen.

The crane is a lot of money, plus Steadicam, it's basically a friendly price.

Is our young supervisor too much?

Everyone now looks at it and thinks that the money, and the previous efforts, are too worthwhile!

But in fact, only Kusano understands that the current technology can only achieve this level. If it is a later generation, if there is a drone, it can be done easily.

Therefore, my own requirements are not excessive at all.

Of course, it is better not to say this, otherwise I am afraid that I will be beaten.

Not only the chief officer but also the staff were watching, like the others, Hiroshi Abe, Nanako, Masato Sakai, and the very hungry Takashi Kashihara and Takako Matsutaka were all watching. Everyone couldn't hide their surprised expressions after watching.

But there is one exception. She is Miho Nakayama's younger sister, Shinobu Nakayama.

"sister."

"Ok?"

"Um, this lens must have a very special meaning."

"This... of course there is, haha..."

Miho Nakayama was a little embarrassed by her sister's questioning. Of course, she was also good at acting, and immediately put on an expression of'Your old sister, I understand very well'.

As a younger sister, how can Shinobu Nakayama not know the details of her sister?

She wanted to laugh, but in this scene, how could she dismantle her sister's stage.

Moreover, Shinobu Nakayama originally did not have her position in this crew. This time she came here entirely because of her sister. As for why she came here, of course it was because of that movie.

Well, now that I look at that is not only a book, but also the script of this movie.

My sister doesn't watch much, but Zhongshan Shinobu has watched it many times secretly. After all, compared to her sister, her work is much more leisurely.

I don't know why, I shed tears every time I look at it, it's strange.

How sad is "Love Letter"?

It doesn't seem to be, but why did you cry? Nakayama Shinobu has never wanted to understand it, but now, after watching this lens, Nakayama Shinobu seems to understand a little bit, but it still seems a little bit close.

But at this time, the crane over there was ready to go down the mountain, but Yuki Kusano climbed onto the crane.

"Everyone! This shot is for everyone to watch, but it can't be seen for nothing. I want to ask everyone, what do you think?"

What do you think?

After listening to Kusano's words, everyone on the crew was a little confused. Look at me and I will look at you.

"We all said just now, Master, this shot is great!" Nanako is still very clever, not only can drive.

But Kusano smiled when he heard it, and shook his head and said, "Of course, but what I want to hear is your inner voice."

When this was said, everyone's expressions were a little weird, especially Sakai Masato.

"Brother." The college student made a loudspeaker with both hands, as if he was afraid Kusano would not hear the same shout, "Although I admit that this lens is really great, but you don't want to be such a badass, okay?"

In an instant, laughter broke out. As for the ladies, they couldn't help but laugh.

Matsuko was covering her mouth, but to be honest, she was also shocked by Kusano's talent after watching this scene.

It's really good, but this guy is still so annoying.

So, of course she stopped talking.

Hiroshi Abe was silent for a while, he knew what his boss was trying to say.

Sure enough, I saw Kusano's eyes set on Miho Nakayama, "Hiroko Watanabe, what do you think? Or, why do you think you want to lie in the snow?"

These words are almost equivalent to telling everyone directly that the answer should be in Hiroko Watanabe.

So, how did Miho Nakayama answer the "big thing"?

"This..." How does she know!

Could it be that ~www.NovelMTL.com~ our ‘big thing’ is going to make a fool of yourself? She didn't even figure out what she was acting?

But at this moment, Zhongshan Shinobu by his side said a word.

"Supervisor, does Sister Bozi want to end her life?"

In an instant, everyone's eyes turned to her.

Kusano also nodded, "Hiroko Watanabe actually tends to be depressed."

In fact, this point is very implicit. Kusano has seen many interpretations of this "Love Letter" in later generations. There are many UP owners and public accounts, but most of them have not seen it. Of course, this point is not directly expressed in the movie. However, if you look at Bozi's many shots together, it is not difficult to find that she may want to end her young life in this first shot.

No matter it was the script, Kusano did not write this. Road to the heavens

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