Disaster Artist

Chen Mu, are you really talking nonsense?

Obviously not.

“The combination of high-brightness yellow and white will make the overall picture look very clean and transparent, and even feel that the entire lens has been washed with water, but because the picture is too bright, it looks very laborious, and generally some dark colors need to be appropriately added for reconciliation. "

"At this time, we can use the carpets, tables, corridors and interlaced shadows to form contrasts, creating a visual contrast effect that is particularly cool in the upper half of the picture and particularly heavy in the lower half, further highlighting the compositional gap of the entire picture. ."

Chen Mu didn't need to explain further, Ji Xu already understood.

At the production meeting of "Tourists" tonight, Lu Qian emphasized the importance of picture composition, and Lu Qian and Chen Mu also had the first round of quarrel.

In Lu Qian's conception, the effect of characters being trapped in the environment is highlighted through tough lines and light and shade, so as to imply that the characters are trapped under their own masks, and the sanctimonious image of the middle class is like a shackle. , stacked on top of each other.

Even a few lenses should deliberately create sharp contrasts in shape and size—

For example, the characters are talking, but only occupy the bottom third of the screen, and the top two thirds are all empty mirrors of the background screen, but the characters' dialogues are still going on, and the audience can't see the details of their expressions. , can only hear their conversation, and then guess the surging emotion through the picture.

Unconventionally break the visuals to create a sense of absurdity.

Now it seems that Chen Mu has fully understood and mastered Lu Qian's shooting intentions, and then constructs the use of tones according to the effect of the composition of the picture.

The combination of yellow and white accentuates the transparency of the picture, which is then further accentuated by the presence of other dark tones and shadows.

If you simply use the blue filter, the overall picture can indeed appear cold and detached, but the tone has no layers; but using the yellow filter to filter out the layers of the picture information layer by layer is obviously very clever and very complicated. way of doing.

Moreover, Chen Mu's words were not over yet.

“For indoor play, we should make full use of the resort’s color palette to accentuate this effect; for outdoor play, it can be slightly changed.”

"We should use the blue of the sky and lake to trigger conflict, use yellow to awaken the coolness and melancholy of blue, and further deepen the ubiquitous sense of oppression in the whole environment, obviously when you are outdoors, you can embrace the sky with open arms, but from The pressure of family from identity from society is still there.”

"If possible, we can slightly add some blue filters to the woods to consciously change the freshness and vitality of the green, so that the green of the entire environment enters a state of dark green or dark green, and then creates a sense of impact with the sky and lakes. ."

Talking eloquently and eloquently.

Ji Xu looked at Chen Mu with admiration.

Although in college, everyone said that Chen Mu was a genius and did have a unique touch in photography, but Ji Xu never had an intuitive feeling, so when Lu Qian took the initiative to invite Chen Mu to be the "raid" cameraman, he still Somewhat confused, "Is there such a need for such trouble?"

Today, however, Ji Xu was finally able to understand Lu Qian's appreciation for Chen Mu——

It's not just because of a filter, but because Chen Mu can understand Lu Qian's requirements for the picture and the lens, and according to his own interpretation and interpretation, the collision sparks, and then achieves the effect of "one plus one is greater than two".

It's like the cooperation between Su Ziyi and Lu Qian. However, Su Ziyi's situation is slightly different. Su Ziyi can always perfectly interpret Lu Qian's requirements, but seldom can break Lu Qian's ideological framework. More inspiration; and Chen Mu has this sparkling sense of collision.

"The Raid" was so, and so was the "Visitor" that followed.

So, what does Lu Qian think?

Chen Mu's words stopped for a while, and he looked at Lu Qian with burning eyes.

But Lu Qian didn't speak, just fell into contemplation.

Chen Mu was a little anxious. He would rather Lu Qian throw his thoughts out regardless. Even if it was a quarrel, the two people's thoughts continued to collide. Only in this way can the inspiration keep blowing out.

silence?

Silence is an act of passive confrontation, like shouting out to the valley, expecting an echo, only to be quiet, and that's very disturbing.

one second. two seconds. three seconds.

Just when Chen Mu was about to yell at Lu Qian, Lu Qian finally spoke up.

"Feel sorry."

sorry for what?

"Sorry, I obviously didn't open my mind and ignored more possibilities. Your idea is correct and more suitable than the blue filter. Sorry I just ignored your suggestion."

Chen Mu couldn't react, and was stunned for a while, and then went back with a savage complaint, "Why do you want to apologize to me? If you are like this, what have I become?"

When arguing about the composition of the picture, Chen Mu was finally persuaded by Lu Qian, but Chen Mu did not apologize.

Ji Xu lowered his head quietly, concealing the curvature of the corners of his mouth.

There was also a smile in Lu Qian's eyes, and he just shrugged, but this action made Chen Mu even more embarrassed, and then Lu Qian changed the topic without waiting for Chen Mu to speak.

"If that's the case, I think other parts of us need to adjust as well."

"On the one hand, the interior decoration of the resort should increase the use of tan, white, chrome yellow, dark yellow, beige and other tones. Bai Cheng may need to make some local adjustments, especially the tables, teapots, and carpets."

"On the other hand, it is the clothes of the actors, which should be mainly blue, yellow, gray, black, etc. These clothes should be adjusted according to the composition of different scenes. Correspondingly, when the supporting roles appear, the color of the clothes also needs to follow. make change."

Chen Mu came up with an idea, and Lu Qian's divergent thinking was passed on to the height of the entire film.

In terms of color matching~www.wuxiamtl.com~ French director Eric-Rohmer is undoubtedly a master. In his films, the use and matching of colors can always convey more emotional impact. It's like an oil painting.

More importantly, whether indoors or outdoors, he can always find the most special and appropriate scene, complete the composition and present the color, showing pure visual enjoyment from the scene to the clothing.

In this regard, Lu Qian is indeed lacking a little inspiration. The previous two films are completely unrelated, but it is still not too late. Maybe they can start exploring and researching from "tourists" to further present the art of film.

Why do set designers, costumers, stylists, hair stylists, etc. all play an important role in the movie, but so few audiences can see it?

The reason is simple: the director.

Mainly because popcorn movies are becoming less and less so-called "movie sense", the sensory effects brought by these details are lost in the frenzied bombardment of computer special effects, and the audience will naturally have no feelings; but if the director can Starting from the details, the cinematic sense can bring a unique and wonderful viewing experience.

Lu Qian was eager to try.

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