"Why is Ye Qiu here?"

"I must have come to find Zhao Xiaogu!"

"Isn't he with Liu Yifei?"

"He's still with Da Mimi, you see that he has so many gossip objects, and his girlfriend is still ~ Zhao Xiaogu. "

"It's good to have such a boyfriend, and I won't be able to get any resources I want in the future. "

"I heard that Zhao Xiaogu was with Director Ye when he was not yet famous, I am really lucky-ah. "

......

In the classroom, many people whispered, looking at Zhao Xiaogu's eyes full of envy, and some girls even regretted deliberately isolating Zhao Xiaogu.

If you can have a good relationship with Zhao Xiaogu, maybe you can befriend Ye Qiu through Zhao Xiaogu in the future.

Ye Qiu was a little helpless, so he had to stand up and wave his hand to everyone with a smile.

"Hello everyone, I'm Ye Qiu!"

In an instant, there was an even louder cheer in the classroom.

No matter from which point of view, today's Ye Qiu is already a figure at the top of the entertainment industry.

Two movies, one topped the domestic box office list, and one entered the top five, this is still including Hollywood blockbusters, if you count Chinese films alone, two of the top three box office in film history are his works.

What's more, these two movies are basically invested by Ye Qiu himself.

These two movies alone have already made Ye Qiu included in the ranks of entertainment capital tycoons.

For these students in the advanced class, if they can enter Ye Qiu's eyes, the resources leaking from the other party's fingers will be enough for them to eat.

The teacher who was teaching on the podium was also very interesting, and said with a smile: "Director Ye, welcome to my class, you are here to find Xiaogu." "

Zhao Xiaogu introduced in a low voice: "This is Professor Gao Xiangrong, our performance theory teacher. "

Ye Qiu smiled and nodded: "Professor Gao, hello!"

Gao Xiangrong looked at his watch and said with a smile: Now there is still about half an hour before the end of class, you finally came over, I don't know if I can have the honor to invite you to give a lecture to our class, you are a great director, a practical school, and we who have been in the school for a long time must have a lot of differences in ideas.

Ye Qiu smiled and said, "It's an honor." "

At the invitation of Gao Xiangrong, Ye Qiu stood directly on the podium.

has been very much on the stage of Peking University, which is nothing to Ye Qiu at all.

Not to mention, acting or something is purely Ye Qiu's old business.

In his previous life, he was an orthodox student who graduated from Beiying.

"Hello everyone, I'm very happy to come to the stage of the drama to communicate with you, in fact, I am also half-baked about acting, after all, I have only acted in two plays so far, one of which is only a supporting role, and those tricks in the past are naturally not counted. So what I'm going to talk about today is purely a family statement, based on some summaries of my personal performance experience......"

Ye Qiu smiled.

The entire classroom fell completely silent, and everyone focused their eyes on Ye Qiu.

Many students simply took out their mobile phones and took pictures.

"As we all know, performing arts are divided into three categories: experiential, methodological and performative.

The requirement of experiential party performance is to start from the self and live in the situation of the character.

Experiential school is one of the most misunderstood performance schools in China, and the current popular understanding of experiential school in the market is basically wrong.

There are very complex historical reasons for this, and I won't go into details, but I'll just tell you about one of the most common and worst misconceptions - not acknowledging that acting should always start from the self.

"

"Please note that only the self can accomplish the true experience, that is, to hear, to see, and to feel.

If you're already imitating an imaginary image, or putting yourself in a performance that's different from your normal life, you're not going to be able to get the real experience done.

Therefore, it must be emphasized that starting from the self is the basis of the whole process of creating a character in the performance of the experiential school, not one of the stages, that is to say, the experiential school requires the actor to always start from the self in the whole performance process......

"

·· 0 begging for flowers·······

"So is it a contradiction between starting with yourself and being a character? No, because you have to live in the situation of the character.

For example, if a young man plays an old man, instead of imitating the old man, he uses the experiential method to make himself believe that the situation of the old man has happened to him, such as believing that he has bad joints, cannot see clearly with glasses, and cannot hear clearly with his ears......

It's still me, it's just that the situation has changed.

Therefore, the experiential doctrine does not mean that the role is based on the self, and the two cannot be understood as two separate processes......

"

....... 0...

......

The classroom was quietly pin falling, and only Ye Qiu's voice echoed over the classroom.

A hint of surprise flashed on Gao Xiangrong's face, he originally thought that Ye Qiu would become a monk halfway through and talk more about practice, but unexpectedly, Ye Qiu was not talking about pure practice, but adopted a model that combined theory and practice.

And judging by what he said, it can be felt that there is a lot of personal experience in it.

This young man is only twenty-five years old this year, how can he be like those forty or fifty-year-old actors.

A trace of surprise flashed on Zhang Hanyun's face, and he leaned into Zhao Xiaogu's ear and whispered: "Xiaogu, where did your Ye Qiu come from, how do I feel that his understanding of performance is deeper than that of Professor Gao?"

Zhao Xiaogu smiled slightly, she was not surprised by her husband's various magical performances.

......

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