Hollywood Road

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"Boss, they are ready."

In a small building in Burbank, Jones Butler accompanied a big fat man towards the filming room, and said as he walked, "I promise, the film will make people’s eyes shine. This is what I’ve seen in the last two years. The best horror movie of the world."

Harvey Weinstein turned his head and looked at Jones Butler, "Is that little director improving so fast?"

Jones Butler nodded solemnly, "Although it is not appropriate, I think the gap between "Fruit Candies" and "Saw Cry" is like Spielberg's "Escape of Silly Girl" and " Great White Shark."

The film itself cannot be compared, but there are certain similarities in the changes in directorship between the two works.

The two walked to the drawing room. Jones Butler took a step forward and opened the door. Harvey Weinstein walked in first. There were several market assessors from Miramax Films in the drawing room. , Beside the projector behind them, the director who had seen it once was carrying two people, one fat and one thin, doing pre-screening work.

Murphy also saw Harvey Weinstein, for him, this is the real industry superpower, immediately put down the job at hand, hurriedly greeted him.

"Hello, Mr. Weinstein." The appearance of Harvey Weinstein gave him some surprises.

The big fat man on the opposite side didn't say anything, but just nodded to him. Jones-Butler walked over and whispered, "How are you preparing."

Murphy didn't care, nodded, "You can start anytime."

Jones Butler glanced at Harvey Weinstein, waited for the fat man to sit down, and said, "Go ahead."

At Murphy's sign, Seth Logan went to close the curtains, James Franco turned off the lights, Murphy stood behind the projector, and the opposite screen lit up.

Including Harvey Weinstein, all Miramaxes in the drawing room focused their eyes on the screen.

Murphy is at ease as his own projectionist, and occasionally stretches his head to look ahead. Miramax’s people are watching movies attentively. Many people’s pens will fall on the notebook from time to time, and the main objective of his observations It was Harvey Weinstein. He couldn't see the fat man's expression from behind, but his body was straight and it seemed that he hadn't changed his position in a long time.

What does this mean? One is that he may be asleep, and the other is that he is completely attracted by the movie.

No matter how you think about it, Murphy believes that the possibility of the first item is infinitely low. This is "Chain Saw". With his current ability, he may not do much better than the previous one, but it will not. Too bad, especially the extensive use of cross-montage, which throws enough suspense and large-scale **** shots.

In the East, these shots bring more disgusting, but traditional horror films in North America are completely different from the other side of the ocean, and the more plasma, the more terrifying.

This is not Murphy's own opinion, but an objective existence.

A horror movie, if it can’t do the most basic horror atmosphere well, it will inevitably fail. His movie will not. When the role played by Kerry Mulligan jumps into the ocean of syringes, he can obviously listen to it. Several people exclaimed quietly.

Jones-Butler was breathing quickly and quietly, even though it was the second time to watch it, the hole in the needle still seemed to be damaged.

When Jonah Hill’s fat man appeared in the gillnet maze, blood, gastric juice, tears, and saliva flowed together, almost...

Harvey Weinstein finally changed his posture, and subconsciously raised his hand to wipe the sweat from his forehead, unconsciously thinking of himself from the fat man, and his fat body fought a cold war.

This movie is really scary.

There is also a joint twisting frame at the back, which can break a person's body alive...

A few people turned their heads and glanced back. They wanted to know how perverted the director had to come up with these fancy methods of killing.

What they saw was a young, calm and serious face.

Harvey Weinstein nodded slightly when he saw the nurse breaking into the secret room. This is a very good horror movie. It can be said that it combines many advantages of traditional Hollywood horror movies and cleverly makes up for traditional plasma movies. Many of the defects.

Harvey Weinstein knows enough about the horror films produced by Hollywood. Many of them are similar blood plasma killings. Of course, this is also the market demand, because the cultural gap is the smallest, the most widely spread, and the most fans are always this. A feast of wild killings that don’t require much brainstorming, especially those series of sequels, such as "Mammoth Street", "Friday the 13th", "Texas Chainsaw Massacre"...

Even Miramax's ace series "Screaming" can also be summarized into this category.

Undoubtedly, these traditional killing movies have certain flaws. They often use a far-fetched, perverted or supernatural excuse to create a vicious murderer. The biggest attraction is nothing more than a variety of extreme methods of death.

The biggest problem that this brings is that the audience’s aesthetic fatigue has directly led to the downturn in the traditional horror film market in recent years.

This "Chain Saw Horror" is obviously different. Although it is violent and bloody, it is full of entertainment elements, organ traps, dark human nature, enclosed spaces, and the real and murderous mysteries.

The filthy setting, the chilling murder agency, and the painful torture scenes are all wrapped in a strong sense of horror. They are skilled in using the intricate clues that are explained later in the flash, and the cohesion and nesting of the plot is more comparable to the ingenuity of the detective novel. Below the film’s selling point, it is a superb suspense film of first-class standard, which can be watched, tasted, verified repeatedly, and even resonated.

This is an excellent horror movie.

Harvey Weinstein made a judgment, but his fat face remained calm. Such horror films are indeed rare in recent years, but they are not as exaggerated as Jones Butler said, right?

But the next moment, he changed his opinion.

The caregiver was not the culprit. The corpse lying in the secret room stood up. His body was rickety, looking old and weak, but the eyes in the close-up were extremely sharp, as if he could see through everything in the world.

Then the flashback cross montage appeared, especially the sentence that the police said "murderers like to watch their masterpieces up close", which made many people suddenly realize.

Harvey Weinstein held the armrest of the chair tightly with one hand, and his fat face was a little surprised. Despite the countless movies, the ending was completely unexpected.

He couldn't help but look back at the projector. In just a few months, it was incredible that the young director had made such great progress.