Hollywood Road

In the coffee shop at the airport, the waiter brought two cups of coffee and a glass of juice. Murphy paid the tip and did not touch the coffee. Instead, he looked at the agent who claimed to be from William Morris on the opposite side.

Martin Miller is also looking at Murphy. The young man is beyond his expectation. Although there are some amazing young people among his clients, it is an actor, and the director is completely two concepts. How much Hollywood Hasn't been a young director who can get that terrible box office result at such an age?

If it weren't for the other party to create such a terrifying investment return ratio, and what he was carrying was an intern-like brokerage contract, William Morris would not let him dig into the corner of CAA.

"Director Stanton," Martin Miller also did not watch the coffee, "William Morris is very sincere to invite you to join."

There is no need to cover up and obscure this kind of thing, he just wielded his **** when he came over.

Kerry Mulligan turned his head to look at Murphy, remembering the phone call made by James Franco's agent when he was in Australia, and found that his boyfriend did not know when he turned out to be a popular item?

The agent of William Morris also specifically checked the flight and ran to the airport to block them, as if he was afraid that Murphy would be robbed by others.

Murphy smiled and said calmly, "Thank you and William Morris for your kindness. I am very happy to cooperate with CAA now. I have no plans to change the brokerage company for the time being."

"As far as I know, what you are signing with CAA is an internship contract?" Martin Miller certainly won't give up, and continued, "CAA doesn't take you seriously, and except for your agent, Bill Rowe. Outside of the Sith, the resources invested in you are basically zero."

Hearing what he said, Murphy didn't speak. He was really satisfied with Bill Rossis, but CAA, UTA, and William Morris didn't have any special feelings, and it didn't hurt to look at the conditions they offered.

Just wanting to impress a person with empty words, it is obviously impossible. Martin Miller is not stupid, knowing that Murphy is watching his offer.

"William Morris is very sincere." He said sincerely, "Eight percent of the brokerage is drawn. We will center around you and form a mature film team!"

This is often the treatment that famous directors will get.

Martin Miller continued, "William Morris will fully operate the projects behind you, and as long as you need, the company will try to persuade its big-name stars to cooperate with you."

There should be another sentence after that, Murphy automatically added it in his mind, provided that his project can attract those big-name celebrities.

"I can promise," Martin Miller hasn't finished his words, "my star clients can participate in at least one of your projects."

He is not an unknown agent like Bill Rossis. With his Jewish identity, coupled with many years of experience, it is not too much to say that he is close to the top entertainment agent in the circle.

"Oh?" Murphy seemed to be interested, "including your actor clients?"

Seeing Martin Miller on the opposite side nodded, he deliberately said, "Padme Amidala?"

Martin Miller did not hesitate, "Of course!"

In any case, this seems very sincere, a "Saw Fright" seems to completely change the situation Murphy is facing.

Perhaps this is Hollywood. There is a difference between the winner and the newcomer, even if the newcomer may really be a genius.

Murphy will certainly not give an answer right away. He made a thinking statement, and after half a minute, he said, "I need to think about it for a while. Mr. Miller, I will give you a clear answer next week."

The opposite is not a newcomer who has no way, but there are two films as successful directors of the capital. Martin Miller did not expect to impress Murphy immediately, appearing at the airport like this, more to erect a William Morris. Paying attention to his impression can also show a certain degree of sincerity.

"That's good." Martin Miller stood up and stretched out his right hand. "I'm waiting for your call, I hope it's good news."

Murphy shook his hand. "I hope so."

Martin Miller took the lead to leave the coffee shop. After Kerry Mulligan finished his juice, Murphy took her to leave, went to the airport check-in counter to pick up the luggage, called a taxi, and went straight out of Los Angeles International Airport. Hurry to Stanton Studio in Santa Monica.

In the taxi, Kerry Mulligan kept looking at Murphy, "So you have become so popular, Bill should be worried."

Murphy just shook his head and smiled. In the case of similar conditions, his first choice would definitely be Bill Rossis and CAA.

Back at Stanton's studio, Murphy was carrying his luggage. Before he walked into the house, he saw Paul Wilson walk out with Bill Rossis. The former walked a few steps quickly, from Murphy's hands. Took the suitcase.

Paul Wilson completed the formalities and not only officially joined the Stanton Studio, but also signed a brokerage contract with Bill Rossis.

"Something?" Murphy asked, looking at Bill Rossis.

Probably after hearing the noise outside, the huge Rosa Rodriguez and the financial officer also walked out.

Carey Mulligan could see that Bill Rossis and Murphy had something to discuss, and greeted the others loudly, "I brought a gift for everyone, everyone has a share. Paul, quickly push the suitcase in."

The others followed Kerry Mulligan into the house.

Murphy walked outside the wrought iron gate, and Bill Rossis followed.

Walking under a huge palm tree, Bill Rossis said, "I heard Jim say that his agent called you?"

"Yes." Murphy nodded. "A few days ago, I just met Martin Miller of William Morris at the international airport."

I didn't say everything, but Bill Rossis already understood. "They all invited you?"

Murphy opened his hand, "I didn't expect it to be so popular now."

Bill Rossis raised his head to look at the palm tree. This one is unusually tall. "The brokerage company must choose the best."

He retracted his gaze and turned to look at Murphy, "The management of the company has specifically talked to me and is about to sign a new brokerage contract with you."

"Rake?" Murphy asked directly.

"Ten percent of the industry average." Bill Rossis replied.

This condition is neither good nor bad.

Murphy thought for a while, then asked, "What about others?"

Bill Rossis laughed, "We are old friends. If you ask, I can give you an answer now, if I can't promise, I can respond to the company's senior management."

"I need a team." Murphy said without hesitation, "A strong and competitive behind-the-scenes production team centered on me."

A mature team is too important for the director.

"Philip, Paul, Helena, David, Jack..." Bill Rossis said a long list of names. "These people you liked the last time you filmed are now CAA customers. Their priority is to cooperate. The object is you!"

"If I need it," Murphy added, "CAA wants to run my project."

Bill Rossis nodded, "The company thinks so too."

Murphy waved his hand, "Other specific terms, you go to talk to Robert, I will call him to communicate."

This was a little bit beyond Bill Rossis's expectations, "Is that all?"

"That's it for the time being."

It is not that he has other ideas, but if the ideas are not in line with the actual status, putting them forward will only increase the jokes of others.

Murphy was about to leave, but Bill Rossis called him, "Wait, Murphy."

"Something else?" Murphy stopped.

Bill Rossis let out a breath and said, "Your agent won't be me in the future."

Murphy understands what he means, and has a little understanding of some of CAA's operating strategies, "You want to cross-manage me?"

"It's not management." CAA still pays attention to these language expressions, and Bill Rossis quickly corrected it, "To serve you together."

"Is it necessary?" Murphy frowned.

In his impression, this strategy was set up to prevent brokers from transferring their clients to other economic companies.

"In fact, it is good for you." Although Bill Rossis is reluctant, the brighter Murphy's future is, the better his future may be. "Such cross-cutting services can save you from worries. Brokers have their own specialties, and they are also responsible for a piece of business."

He pointed to himself, "For example, I will be in charge of your film business. But in addition to the core film business, you will have other problems, and another agent will be responsible for helping you solve..."

After Bill Rossis briefly explained it, Murphy roughly understood it.

The reason why CAA can attract so many stars and directors to join is not only on business capabilities, but also on providing services that were not available to other competitors in the past-providing services beyond core business.

For example, they pay attention to the concerns of their important customers after get off work, and provide auxiliary services in the family residence, medicine, children's school, and even food, clothing, housing and transportation. Therefore, the management of CAA will assign special tasks to some brokers.

In this way, every important client has four to six brokers. In addition to increasing the cost of "betrayal", they can also better serve the clients.

Among the agents CAA prepared for Murphy, Bill Rossis is responsible for the core film business, and plans to have one responsible for media communication and daily life, one for literary writing, and another for special opportunities.

In fact, it’s normal for actors and directors to change agents. For example, for some, they have to change several to find a suitable one. However, such a full range of services is hard to be disgusting. On the contrary, I think this company is very humane. Staying here will More convenient and comfortable.

At least Murphy thinks it's not bad, "I have no problem, but if other agents are not suitable, I have the right to change."

Bill Rossis quickly left the Stanton studio, and Murphy returned to work to prepare for his new project.