Hollywood Road

"Sorry, Kerry, I can't go shopping with you."

Elizabeth Banks put away the phone, her face was unstoppable loss and frustration, "The agent will let me go over and see him now."

With that, she stood up.

"Liz, wait!" Kerry Mulligan grabbed her, her pretty baby's face seemed more anxious than the other person, "How could it not be you? At the time Paul clearly said that Murphy liked you very much? Isn't something wrong?"

Elizabeth Banks also hoped that something was wrong. Such an opportunity to play the leading role is really rare for her.

Missing this opportunity, she didn't know how long she would have to wait for the next heroine.

"Is it really wrong?" Elizabeth Banks also hoped so, she said hopefully, "Kerry, can you..."

This is a bit difficult to say, but thinking about her future, she still tried to say it, "Can you ask Murphy for me?"

Kerry Mulligan is his friend and the director's girlfriend, maybe...

Although knowing that the possibility of making a mistake is very small, Elizabeth Banks still wants to fight again. After all, she and Kerry Mulligan have a very good relationship.

"Yeah!" Kerry Mulligan nodded heavily, took out his mobile phone and dialed Murphy's number, but no one connected.

She frowned and called again, with the same result.

"What's the matter?" Kerry Mulligan looked anxious.

Compared to Elizabeth Banks, who is anxious to be lonely but can still maintain a calm face, Carey Mulligan is just like the past, not good at concealing his emotions at all.

In other words, she has not learned to hide her emotions in a short time.

After all, she is still a sixteen-year-old girl.

Seeing that Kerry Mulligan couldn't get through Murphy's call, Elizabeth Banks' heart gradually sank, and she bit her lip hard, "Kerry, I'd better go to see the agent first."

Seeing his friend’s crying expression, Kerry Mulligan scratched his short blond hair anxiously, “You go to the agent first, I’ll go to Murphy and ask what's going on.”

She was more anxious than the party Elizabeth Banks.

No one is willing to give up this kind of opportunity, Elizabeth Banks still has the last hope, nodded, and said, "Thank you, Kerry, I..."

Kerry Mulligan stepped forward and hugged Elizabeth Banks gently. "We don't need to say thank you."

She picked up the phone and shook it, "Keep in touch."

The two left the cold drink shop and left separately. Kerry Mulligan dialed Murphy's number again, but still couldn't get through. His eyebrows frowned impatiently, as if the end of the world was about to come.

She called a taxi first, and then called the agent's number. As soon as she got through there, she hurriedly shouted, "Bill, what happened? Why can't Murphy's number get through?"

The opposite seemed to be frightened by the uplifting voice, and it took a while before something came over, "I just left the Venice studio, Murphy dropped the handle..."

Before this was finished, Kerry Mulligan interrupted again anxiously, "Why?"

"Today the crew announced the results of the audition," there was a simple explanation, "Some people ask for relationships to find Murphy. These are very annoying. He shuts his hands off, just don't want the relationship of those who fail to be elected to disturb him."

Kerry Mulligan's brows frowned immediately, who was the loser? Trust relationship? Isn't this me and Elizabeth Banks?

Is he hiding from me? Kerry Mulligan asked again, "Murphy is still on the set in Venice?"

After getting an affirmative answer, she hung up the phone, and when the taxi arrived, she got in the car and rushed to Venice, ready to ask Murphy to ask what was going on.

"The photographic effect is dark and yellow, and it's okay,"

In the office of the Venice studio, Murphy and several people sat in front of a monitor and looked at the experimental samples taken by Philip Raschel. He pointed to the snowflakes that represented film nicks, "All these are removed, the picture must be removed. Maintain sufficient clarity."

He is not Robert Rodriguez, and he will not deliberately pursue the Grindhouse movie style of the 1960s and 1980s. The most direct effect of doing this is that the clarity is not enough. For the current alloy screen and projection equipment, regardless of the film production How outstanding, this is a catastrophic consequence.

There are indeed many nostalgic people, but the times are developing, and the obsolete technologies that have been eliminated are indeed not suitable for use in this era.

"This is the best way." Kim Kleiman, who represents the guarantor, fully agrees with Murphy's words.

His biggest task is to control costs and ensure that the film can be completed on schedule.

Erica Steinberg also nodded in agreement, "Also eliminate the noise."

He sits in the most fringe position, but rarely speaks. At non-essential moments, a smart producer will maintain the director's central position on the set.

The preparation and shooting of the crew is always dominated by the director. It is impossible for a director to leave the preliminary preparations. He is basically satisfied with the work Murphy has done. This director is indeed young and lacks experience in some aspects, but he is very People who know how to learn will never repeat their mistakes.

Murphy and a few people were still discussing to determine the final style of the film. The office door was suddenly knocked from outside. Before Murphy could speak, someone pushed the door and walked in.

Carrie Mulligan looked anxious as he walked in, and only Murphy was in his eyes, and he didn't even look at other people. "Why did your phone turn off? I can't even contact you!"

"Oh, I turned it off." Murphy thought she was so anxious that she couldn't contact herself. "Sorry, I forgot to tell you."

Kerry Mulligan strode to Murphy's side and asked as he walked, "The heroine is sure? Why isn't it Liz!"

She rushed over in a hurry, her voice inevitably brought a trace of questioning.

Erica Steinberg and Kim Kleiman looked at Murphy, then at Kerry Mulligan, and finally looked at each other, wondering who Liz was.

"Murphy, did you make a mistake?" Kerry Mulligan didn't notice other people at all. With her character, she didn't care about those people. She would naturally say anything when she thought of it. "You weren't a while ago. Are you optimistic about Liz? What's the matter?"

"Liz? When did I say that she was the heroine?" Murphy frowned and looked at the other people. "Well, Kerry, I'll talk about it later. You go out and wait a while. I'm now what about work."

Kerry Mulligan was stunned, "You...you want to let me out?"

How can something be said on this occasion? Murphy nodded, "You go out first."

"Are you chasing me away?" Kerry Mulligan pointed to himself, "My good friend is sad and upset. If you don't give me a reasonable explanation, you want to chase me away?"

Her current mood is completely written on her face, and her baby face can drip with gloomy water.

Philip Raschel gave a light cough and looked at Murphy, "Why don't you come here first today."

"No need!" Carey Mulligan also heard Philip Raschel's words, she hurried over, only wanting a reasonable answer, a reason for losing the election that at least allows herself to explain to a good friend. Unexpectedly, it was such a situation. The former Murphy who held her in his palm wanted to drive her out!

She stared at Murphy, "I'm going!"

"Kerry..." Just as Murphy was about to say something, Kerry Mulligan turned his head and walked out of the office, closing the door hard with his backhand, and making a loud bang.

Looking at the closed door, Murphy frowned slightly. What's the matter?

Compared to Kim Kleiman and Erica Steinberg, who have been watching good shows, Philip Raschel and Murphy have a better relationship. He pointed Murphy with his finger and reminded, "What are you stupefied? , Go and have a look."

Thinking of Kerry Mulligan's rebellion under innocence, Murphy quickly stood up and said, "Sorry, let's stop here for the time being."

After speaking, he chased it out quickly, but for a while, Kerry Mulligan was no longer visible.

After asking two people in a row, Murphy realized that she ran out of the set and strode out of the warehouse. The warehouse was some distance from the city, and the surrounding area seemed relatively deserted. Looking at it, only a car can be seen in the distance. Far away, there is no figure.

He took out his cell phone and turned it on, then dialed Kerry Mulligan's number, and was hung up after the call was made several times in a row.

This is no way. Murphy also called Bill Rossis, then drove his car in the parking lot, and drove around the warehouse.

Murphy drove the car, recalling everything that happened just now. Kerry is still the same Kerry before, and has not changed because of being with him. When following her, she is an innocent and beautiful angel. When the other way round, she Still the rebellious girl.

In the past, no matter what he opposed, he always persuaded her by knocking on the side, this time...

Murphy shook her head. At the wrong time, in the wrong place, in front of the wrong person, she asked such a question, how would he answer it?

"Bad Murphy! Bastard Murphy!"

Above the co-pilot of a car, Kerry Mulligan choked and whispered, "Is that how you treated me? You drove me away!"

Tears flowed down her cheeks a long time ago. She was crying very sad and angry. Where was Murphy, who was empathetic and could not even speak loudly to her?

Kerry Mulligan felt that his sky had collapsed. He couldn't help but think of his parents who fell out because of being an actor. What is the difference between Murphy and them now?

"What's wrong, Kerry?" the man in the driver's seat said, "Is this not like you?"

"Nothing." Kerry Mulligan wiped the tears from his face and sobbed. "It's just a bad mood."

"where are you going?"

"Whatever." She looked ahead, "Mike, are you going back to Century City? I'll go there."

Mike glanced at her curiously, "What the **** happened?"