Hollywood Road

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Staring at the monitor screen, Murphy didn't turn his head. It seemed that this was just a trivial matter. He asked casually, "If you found out who the reporter is, please tell me."

Bill Rossis glanced at Murphy, then nodded slightly.

The crew quickly arranged the venue. The most special feature of the venue was the big bed placed in the center of the green screen. The piercing red of the big bed formed a sharp contrast with the surrounding green screen.

Jessica Simpson in a red dress and Seth Logan in the upper body are ready.

It was probably more than two months of fitness that worked. Although Seth Logan did not lose weight, the fat on his body was significantly reduced, and the protruding muscles were also quite stylish.

On the other side, Jessica Simpson sat by the bed and asked the hair stylist to tidy up her slightly messy blond curly hair. She didn't wear any clothes on her upper body. I didn't seem to care about it. The signed contract did not require clearance. It was so generous. Fang's sitting here, letting some scrutinizing glances pass.

Although she hasn't been exposed to movies much before, she has worked hard in the circle for many years and doesn't care much about things like nudity.

And her more famous singing career is also taking the **** route.

"David, make the light a little softer!" Murphy shouted to the lighting team, "Change to a hard light when Gottie died!"

When his gaze turned back from the lighting group, he saw Margaret again and saw the busy David Robbie. Murphy was not surprised that she appeared again. David Robbie was so busy that it was impossible. Playing with her in Los Angeles, she can only bring her to the crew.

However, she has not affected the filming of the crew.

Maybe she grew up on a farm. She has a wild temper, but she is very sensible. She always hides and plays alone in a corner that does not affect the shooting.

Today is better. Rutger-Hall, who participated in the filming, also came to the crew with his 13-year-old son. With peers as the company, it would not be too boring.

After adjusting the lighting, Murphy took a look at the effect, and then nodded to the scene.

The scene note went to the camera, put the scene note card in front of the camera, and shouted, "The fourth scene of "Sin City", the first act, now begins!"

On the set, Jessica Simpson, who was ready, immediately got entangled with Seth Rogen. The main camera controlled by Philip Raschel also focused on Jessica Simpson. of****.

This is not only a reproduction of the comic scene, but also Murphy's request. Just like Jessica Alba, when the actor should be exposed, he will never be ambiguous, and it has nothing to do with art, only with business. related.

He will not say that nudity, 3 skins, and S.M are for art, like those directors in Europe. These are just to attract audiences.

The purpose of these films is that simple.

Therefore, in accordance with Murphy’s request, Seth Logan and Jessica Simpson kept changing their poses. During each pose, the crew would use three cameras to shoot a large number of shots from different angles, especially Many scenes with Jessica Simpson topless.

The crew obviously forgot that there were minors on the scene.

"So these shots were taken like that." Margaret stood in the distance, watching the intermittent shooting, and said something with accents, "It's not good at all!"

"What do you know!" There was a little boy standing next to him, one head taller than Margaret, and his eyes looked a little contemptuous when he squinted at Margaret. "Do you know who that woman is? That's Jessica." -Simpson, the dream lover of many boys!"

Marguerite narrowed her eyes slightly, folded her arms around her chest, "Is it famous?"

"Sure enough, it's a hillbilly from Australia!" The boy said sarcastically with an inexplicable pride. "A hillbilly who doesn't understand anything!"

"Hillboy?" Margaret turned to look at him. "Rein-Hall, are you talking about me?"

"Is there anyone here besides you?" Rein-Hal raised his finger and pointed at Margaret's mouth. "Everything is so dirty!"

Then, he pointed to Margaret's old and white jeans again, "They are also so earthy! They all smell earthy!"

In the eyes of Rhein-Hall, the girl is okay, but too earthy, she is purely a hillbilly from Australia.

Margaret nodded to him, but didn't say or do anything.

The crew is filming, and her brother is still the head of a department. If it affects the shooting, it will definitely be detrimental to his work.

Although she was less than thirteen years old, Margaret could still see this.

Rein Hal, who was next to him, looked at her even more contemptuously, and the sense of superiority of growing up in a big city became more and more obvious.

Margaret put her arms around her chest, just watching the shooting on the set.

Murphy's shooting continues. Jessica Simpson is lying on a piece of red. Gottie, who plays, has been murdered. An assistant photographer is standing there, using a portable camera to take close-up close-ups, and the lens is still aimed at her. Unconcealed ****.

On the screen transmitted to the director's monitor, the white skin and the blood-red bed sheet formed a sharp color contrast.

The high-definition digital video camera brings the convenience of shooting, and other effects can be added through post-special effects.

Pure black and white images are easy to restore with the lens, but after adding many other effects, it is almost impossible to restore the style of comics with conventional lenses. Murphy solved this problem with digital photography. At the time, he only needs to pay attention to the angle and depth of field in the original Frank Miller comics and the new drawing board. All issues related to style are solved through post-production, including adding digital background and manufacturing. Color or silhouette effect.

The shots that have been taken also prove to Murphy that digital photography can compete with traditional film in shaping image art.

At this stage of the development of film technology, digital photography technology is no longer a convenient means, but more of a new way of film creation.

Regarding digital photography technology, during the preliminary preparations, Murphy also communicated with Quentin Tarantino.

Quentin is a clever and even cunning person. He used to criticize "The Matrix" and other films that rely on digital special effects, only to vent his views on "film is the purest way to show image art"; when he passed Murphy's experiment When the short film discovered that digital photography can also create a unique film style, this guy's brains were awakened and he announced that he would also shoot his own digital works.

After all, compared to the disputes between film and digital on the physical quality, how to express the concept of film needs is more important.

The filming of this scene soon ended. Murphy asked the crew to switch scenes to shoot the shot of Muffle in the model car after being injured. Seth Rogen was pulled to remake up. When he came out, his rough face was covered with White band-aids.

"Rein-Hall," Margaret was also about to look over, and said to the very superior boy next to him before leaving, "Didn't you say you want to take me, a hillbilly, to see the prosperous Los Angeles? It's half past five. , I am waiting for you in the passage next to Studio 3."

"Okay, hillbilly." Rein-Hal wondered if he was going to call some friends from the school to play tricks on the rustic girl.

Margaret walked near the set again. The shooting had already begun. Next to her stood an old man wearing a cowboy hat. This familiar dress made her feel good.

But seeing so many band-aids on the fat actor's face, she couldn't help muttering, "Why do you want to make it look like this."

This was heard by Frank Miller. This was the originality in the comics. He knew the most about it. He didn't know why, so he explained a few words to the little girl.

"This is the first time the tough guy Mafer has been injured. These messy and flat pure white band-aids are hung on his dark cheeks and rough arms, which can make the scars on his body scatter the eye-catching fluorescence, but it is indifferent to him. It seems so insignificant in front of the fixed consciousness."

What Frank Miller didn’t expect was that the little girl listened very seriously, and there was a little curiosity in her blue eyes. Seeing this at the same age as her own little daughter, Frank Miller continued, “This The color design of Muffle can intuitively express the sturdy physical fitness of Mafu, which provides evidence for his amazing resistance and self-healing ability. At the same time, it also implies his weather-beaten life and calm and persistent personality, which is a humble revenge for Mafu. Reasons are given a reasonable interpretation, so that the development of the plot becomes logical."

Margaret didn't expect to get the answer from an inconspicuous old man, and asked curiously, "How do you know so much?"

Frank Miller smiled, "Because I drew this comic."

"So it's like this!" Margaret suddenly realized, and asked curiously, "Anything else?"

"Look," Frank Miller pointed to the makeup blood on Seth Logan's face, and said, "The red blood that Muffle shed after being injured is very rare in the entire film. This kind of original normal The color of blood appears precious and alternative in the story scenes filled with white plasma everywhere. It not only reflects the violent theme of the movie, but also echoes Gottie’s red sheets, alluding to the reason for Marvel’s revenge, and connecting the story of "Sin City". The whole story."

I don’t know if I understood, Margaret nodded mechanically, and then said, “I’ve seen Murphy filming for several days, and there are some things that I don’t understand. Can I ask you for advice in the future?”

When people are old and their hearts are softer, Frank Miller hesitated, but agreed, "As long as I have time, you can come anytime."

Today’s filming ended, it was almost half past five. Margaret walked out of Studio No. 2 ahead of time without waiting for her brother, and came to the quiet passage of Studio No. 3 as agreed. Rein-Hal had already Arrived.