Hollywood Road

On the screen, Hardy’s fist was like a Thor’s hammer full of anger. It smashed down and fell on the ugly head of the yellow bastard. The yellow sap was scattered all over, dyeing Hardy’s fist. , Stained the gray ground, against a black background, it was unusually dazzling.

This contrasting color of the picture seems to have a special appeal, making Roger Albert feel nauseous of smelling a super foul smell.

"If comics is an extreme display of personal style, then Murphy Stanton's film pushes this personal style to the extreme!"

Roger Albert made no secret of his appreciation of this film, "Only a director who has enough pursuit can make such an extreme film."

These not too high whispers all fell in the ears of Jennifer Mona next to her. She turned her head in a bit of surprise to look at this famous professional film critic. Although Roger Albert is not known for being acrimonious, It is definitely not an easy task for a film and a director to get his praise.

Hearing what I said earlier, Roger Albert is not an ordinary person who appreciates this film and Murphy Stanton, a young director.

However, Jennifer Mona also watched this film from start to finish, except for the very distinctive pictures and the fast and slow action shots, I really didn't see anything special.

If you must say yes, it is also that the scale of **** violence and **** is so large that it makes her faintly disgusted.

She has also seen Frank Miller’s original comics. The scale is far worse than the film. However, the director used pure black and white pictures to specially process some large-scale shots and did not directly present them in front of the audience. The way of covering half of it is more likely to trigger people's illusions.

Jennifer Mona is not a fledgling newcomer reporter. He has been entangled with Hollywood for several years. It is not difficult to see that the director has used many clever techniques in the film. The effects of these techniques are beyond the reach of comics.

She wanted to ask Roger Albert's true opinion, but the old man was obviously still immersed in the movie.

"Carla," Jennifer Mona asked Carla Faith on the other side in a low voice, "what do you think?"

Unexpectedly, Carla Faith shook his head directly, "I don't like it, a film that is very unfriendly to women."

There are similar ideas, not only Carla Faith, but also Gal Gadot, sitting next to Murphy. Although her eyes are still on the screen, her mind has long been elsewhere. She doesn't like this type at all. In the movie, violence and blood is second, the position of the female characters in it is really unpleasant.

Almost all female characters are set off by men, and they are using relatively low-level means such as **** to attract men's attention...

Until the end of the movie screening, Gal Gadot did not recover, then applause broke out, her cranky thoughts were interrupted, and her attention returned to the theater.

The applause in the theater was extremely enthusiastic, and it seemed that the film was really popular.

The crew has stood up, and Murphy next to him also stood up, but Gal Gadot is not a member of the crew, hiding behind the crowd, sitting still.

Through the gap between the crowd, Gal Gadot kept his eyes on Murphy. Many people came from the back row, shook hands and embraced him, and sent congratulations.

These people have been introduced by the woman named Grace before, and they all sound like great people.

They all say that this is a masterpiece!

"Is it so good?" Gal Gadot was puzzled. "Perhaps these people are just polite compliments."

With this idea, she was among the many cast and crew members of the crew, left the theater, went to a nearby hotel, followed Murphy in a daze, and walked into the banquet hall.

Then, she saw more people coming over and saying congratulations to Murphy. These words were similar, but they all thought he had completed a masterpiece!

The lights in the banquet hall were brighter, and Gal Gadot could see more clearly. The smiles on the faces of those people were not polite, and the content of their speech was similar, but they were not formulaic entertainment. On the contrary, they sounded like some truthful words.

"Hi, Murphy." Her familiar Ivey-Nevo came over, greeted Murphy, and immediately turned her eyes to her, "Gail, I didn't expect to see you here."

Gal Gadot looked at Murphy, then smiled.

Murphy took the initiative and said, "Ivey, Gail accepted my invitation."

Ivey Niwo nodded and said, "Gail is the daughter of an old friend of mine. Murphy, don't bully her."

"How could it be?" Murphy turned to look at Gal Gadot, "Gail and I hit it off right away, now we are very good friends."

Hearing this, Ivey Nivo looked at Gal Gadot. Gael Gadot didn't know what he thought, not only did not refute, he nodded slightly.

Ivey Nivo looked at Murphy, then turned to look at Gal Gadot, roughly guessing what was going on.

"Murphy," Ivey Nivel walked over to Gal Gadot, "I want to talk to Gale alone."

"Yeah." Murphy pointed to the big fat man standing in the center of the banquet hall. "I'll talk to Harvey for a while."

"You..." Ivey-Nivo looked at Murphy's back, "What's the matter with you?"

"He's pursuing me," Gal Gadot didn't hide it. "Uncle Nivo, it started the night you had a party."

Ivy Niwo turned his head back, "You accepted?"

Gal Gadot shook his head, "No, but I didn't refuse."

"Here," Ivey Niwo took Gal Gadot to a quieter place, "Do you have a good impression of him?"

Frowning thinking for a while, Gal Gadot nodded slightly, "I think he is a very interesting person."

"Gail, when you grow up, you will always meet people you like, and I won't interfere with you," Ivey-Nivo obviously cares about her. "There is only one suggestion. If you don't plan to come to the United States to study, or To stay in the United States, it is best not to lightly accept the pursuit of anyone here."

"I..." Gal Gadot hesitated for a moment, as if his mind was not as firm as the previous day, "I understand."

Ivy Niwo patted her arm lightly, "You are a smart and mature girl, I believe you will make the most suitable choice."

Having said this, he unconsciously turned his head and looked at the center of the banquet hall, where Murphy Stanton, like Harvey Weinstein, has become the focal point of the banquet hall.

Frankly speaking, he admires this young director very much, and he can’t even say that he likes it too much. Not only is the director doing his job well enough, he is also confident, firm, humble, and mature, whether it’s his looks, talent, or wealth. All are the best in this age group.

Such a person is indeed qualified to pursue Gal Gadot. What he considers most is time and distance. Some things will not exist without admitting it.

After a few words, Ivey-Nivo didn't want to interfere too much, and changed the subject, "This is the first time to participate in this kind of preview? How do you feel?"

"It's kind of boring." Gal Gadot didn't have the need to conceal Ivey Nivo, "I'm basically distracted."

"This kind of film is not suitable for female audiences," Ivey Niwo laughed. "It's normal for you to realize that you don't want the excitement and beauty in it."

"Wonderful and wonderful?" Gal Gadot thought of those congratulated earlier, "Is this film really as good as you said?"

"This is the work of a master of violent aesthetics!" Ivey-Nivo did not hesitate to praise his words, "Murphy's finished film has transcended the limitations of comics, extremely stylized images plus B grades. The blood of the film and the essence of film noir have made this super cool "Sin City"!"

Gal Gadot looked at Ivy Niwo with a dazed look. Since he was a teenager, he has heard him talk about movies more than once, but such admiration is rare.

"I like this film a little bit more," Ivey Niwo smiled happily, "I am an investor in "Sin City", and now I can feel that this film will be attracted by a considerable number of male audiences. Love it, and even be regarded as an absolute classic by them, and then it brings me a lot of profit."

He smiled very heartily, as if he had seen a lot of dollar bills fall into his pocket.

"That's not right!" Gal Gadot seemed to think of something, and asked in a very strange tone, "Uncle Nivo, I still remember, when I was a child, I asked you why you invest in movies. You said it was for art. what."

"This..." Ivey Niwo's face was somewhat embarrassed, "Art is also part of my pursuit."

Gail Gadot would believe this when he was a child, but now he knows it is just an excuse and a cover.

"I want to go now, Uncle Nivo," she begged. "Let your driver take me back to the hotel."

Ivey Niwo motioned to the center of the banquet hall with his eyes, "Are you not waiting for Murphy?"

"Wait for him?" Gal Gadot glanced over there without a trace. Murphy over there seemed to be very busy.

Although she has a good impression of him, it doesn't have to be too obvious.

As Gal Gadot saw, Murphy is very busy. Every media representative and every well-known film critic should not neglect. Hollywood is far from a circle where making a good movie can get everything naturally, especially like him. The support of some media and film critics is very important for this kind of director who not only wants the market, but also wants to do something about professional awards.

Especially well-known film critics, if they tout for themselves, the effect may be better.

In addition to Kenneth Turan and Todd McCarthy, Murphy also met more professional film critics living and living in Los Angeles under the introduction of Bill Rossis. Most of these people said that "Sin City" is A work full of personal style beyond imagination, the following reviews will definitely be based on praise.

Roger Albert, another film critic that Murphy valued, did not appear in the hotel until the banquet was about to end.