Hollywood Road

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The office fell silent, Dave Scola walked back and forth, his brows kept frowning, obviously considering Carla Faith's words, which of the two projects is more important? One is a super epic masterpiece that has placed countless hopes on him, and the other is just a second-tier superhero...

He is full of confidence in his project and firmly believes that as long as the project is set up for shooting, it will inevitably become a big hit film beyond "Gladiator.

On the other hand, the script and plan submitted by Carla Firth are just a small project. Superhero movies don’t have enough investment, so it’s best not to touch them. Moreover, the scale is so large that it will be very useful after the film is completed. It may be R-rated, which will inevitably lose the largest audience of such films, the young group.

Also, people like Murphy Stanton are suitable for making superhero movies? Don't be kidding, a director with such an obvious Cult style is definitely a disaster for superhero movies.

If you calculate this way, the project of "Deadpool" may not be successful, and even the chance of failure is very high. After all, Carla Faith is a newcomer in this industry. Are these two people working together to get his place? It's just a joke.

Twentieth Century Fox, one of the six major Hollywood companies, is not a small company like Fox Searchlight and Miramax. If you want to stand firm in this kind of company, you must have a super production!

In just a few minutes, Dave Scola made a decision.

"For the development of the company, we don't need to be tit-for-tat!" Compared to Carla Firth, Dave Scola can be described as awe-inspiring, "I will release the "Deadpool" project."

Carla Faith smiled at him, "I won't interfere with your "Kings of Heaven" project anymore."

Having said that, there is no need to continue this negotiation. Dave Scola nodded to Carla Faith, turned and walked out of her office.

When the office door was closed, Carla Faith, who was sitting on the boss chair, let out a sigh of relief. She was able to do what she is now. She also tried her best and used all means. Otherwise, how could it be possible for a deputy in a department? Forcing the main office to be like this?

In any case, she achieved what she wanted, not only to get a pass to "Deadpool", but also to push Dave Scola into "Kings of Heaven" completely.

"The Kingdom of Heaven" will be as expected in the future? She believes in Murphy's analysis and also believes in her own judgment from a pile of data after the investigation.

It is not easy for a woman to secure the position of executives of the six major Hollywood companies, and it is even more difficult for a woman to go further.

Pressing the phone on the desk, Carla Faith told the secretary not to disturb anyone, then picked up the phone and dialed Murphy's number. The ringer rang for a long time before someone connected over there.

"It's me, Carla." She complained into the microphone. "What are you doing? It took so long to answer the phone?"

"I'm driving, just now at the crossing." Murphy's voice sounded in the receiver, "I'm on my way to the international airport."

"Airport?" Carla Faith remembered immediately, "Is Gail back?"

"Well, the plane will arrive in an hour."

Hearing this, Carla Firth decided to make a long story short, "Tell you a good news, Dave Scola is basically done by me."

There are more and more vehicles on the highway to the airport, Murphy said, "You wait a moment."

He found a place suitable for parking on the side of the road. After he parked the car, he said to his mobile phone, "This is the second best news I have heard in recent days."

"What's the best news?" Carla Faith's question came from the phone.

Murphy shrugged and said, "Of course Gail is back."

Although he had to make at least three phone calls a day, it was not that he hadn't been worried. After Gail Gadot went back, he changed his decision and continued to stay in Israel.

And from the phone call, Gal Gadot's mother didn't want her to study in Los Angeles too much, and Murphy was also worried that family resistance would also change Gal Gadot's decision.

Gail Gadot obviously hesitated a few times during the phone call. Murphy even hung up a satellite phone with video function for her, but fortunately she finally came back.

"Okay, I won't disturb you anymore." Carla Faith's voice rang again on the phone. "Fitting Dave Scola is only the first step. I have to convince the top of the company. There is still a lot of work waiting. I will do it."

"Carla," Murphy reminded her, "don't forget to notify Bill and CAA."

He knew very well that getting Dave Scola only removed the biggest obstacle to the project. Even with the promotion of Carla Firth and CAA, it will take time for the project to truly obtain the Pass of Twentieth Century Fox.

Like "Sin City", the copyright of this project is firmly held in the hands of Twentieth Century Fox. Without the nod of Twentieth Century Fox, the project would never have been established.

Putting away the phone, Murphy started the car and continued to Los Angeles International Airport.

After arriving at the airport, he buckled the baseball cap that was on the co-pilot on his head. He checked the time and arrived at the departure gate. No one noticed him. After the North American promotion of "Sin City" ended, Murphy's surroundings also gradually recovered quiet, and the gossip news of those celebrities was more valuable than his.

Not long after waiting, the phone rang, and Murphy took a look at it. It was a text message from Gal Gadot.

"I got off the plane and will be out soon."

The airport is very big. It takes time to get here. After another ten minutes, people came out one after another at the exit. Murphy stood at the front of a bunch of people who picked up the airport, looked into the exit frequently, and waited for them to come out. When the number of people gradually decreased, I finally saw the familiar figure.

Gal Gadot was dressed in light-colored casual clothes with his hair neatly combed behind his head. He pushed two huge suitcases and walked over. When Murphy saw her, she saw Murphy and lifted it up. A slender arm waved to this side.

With her tall and long legs, she attracted the attention of many people around her, but Gal Gadot had only Murphy in his eyes. The moment she walked out of the plane, she threw away the luggage cart and almost threw herself on Murphy who was waiting here.

Murphy hugged Gal Gadot tightly and kissed her on the cheek again.

"I think about you every day." Gal Gadot's entire face was buried in his chest, "I can't wait to fly over."

"Me too." Murphy kissed her white ear beads again.

Although the flow of people at the exit was reduced, it was not the place to talk. Murphy patted her on the back, "Let's change the place."

"Yeah." Gal Gadot nodded slightly.

Walking to the railing of the departure gate, Murphy took the two suitcases from the cart and dragged them to the parking lot. Gal Gadot picked up the remaining backpack and followed him with a pair of bright Eyes, never left Murphy's body, seem to want to make up for all the regrets of not seeing him these days.

"You know? My dear," Murphy said as he walked. "When you called and said that your mother did not approve of your coming to Los Angeles to study, I was almost frightened. I wanted to rush over and **** you back from Israel."

"Why didn't I see that you were anxious during the video call?" Gal Gadot said deliberately.

That's how it was said, but thinking of Murphy's anxious look at the time, she still feels very sweet now, he really cares about himself very, very much.

Murphy pointed to his face, "You don't know, even if I am very anxious, I won't show it."

Gal Gadot is very clear about this, Murphy is not the kind of emotional person.

"Forget it." Gal Gadot deliberately raised his face, "It's not wasting that I ran to Los Angeles from Israel."

At this time, when he came to the car, Murphy pressed the remote control, opened the trunk of Cadillac, put the two suitcases in, and then took the backpack of Gal Gadot and put them on the back seat. People got into the car separately, Murphy closed the door and raised the window glass with a special film.

Then, he turned his head and looked at Gal Gadot. Before he could say anything, Gal Gadot rushed forward, as if he had endured it for a long time.

Murphy felt a pair of slender arms hung around her neck like an iron hoop, stretched out her hands to hold up the delicate face with clear lines, took a deep look at her eyes, and lowered her head on the soft pair. On the red lips, he felt Gal Gadot's fierce response.

Like all couples who reunited after a long time apart, apart from language and spirit, the two also need other ways to express and vent their depressed thoughts during this period of time.

Murphy's hand fell on Gal Gadot's waist and touched the metallic belt buckle. Gal Gadot's hand had already been inserted through the hem of his T-shirt...

Feeling Murphy unbuckle the belt around his waist, Gal Gadot suddenly woke up, this is the parking lot!

She lay on Murphy's shoulder and took a vicious bite, "Don't be here, go home!"

This sentence and the pain on his shoulder also reminded Murphy. He retracted his hand and pressed a hard stamp on Gal Gadot's forehead, "Yes."

After simply packing up the clothes that had been messed up by Gal Gadot, Murphy started the car, left the parking lot and drove onto the road, and rushed towards Santa Monica's home at a much faster speed than before.

It was definitely the first time this black Cadillac ran so fast after Murphy bought it. The two people in the car did not speak, but frequently made eye contact, it seemed that each other could see the blazing flames in it.

The car finally reached the Santa Monica Valley area, and went straight into the garage connected to the house. When the car was parked, Murphy picked up a remote control and pressed it to the back. The garage door slowly landed, and he never stopped. Without any scruples, he unfastened his seat belt, got up and threw Gal Gadot on top of the co-pilot.

It seemed that it had been waiting for too long, and Gal Gadot reached out and lowered the back of the mount, and began to respond enthusiastically.

The garage became a battlefield.