Hollywood Road

Ask for monthly and recommended tickets!

Hearing Gal Gadot's question, Murphy gave her a strange look, "Of course it's true, how can this kind of thing be a joke?"

"But have you thought about it?" Gal Gadot looked at Murphy sideways and said, "This will make you fall into the whirlpool of public opinion again."

Murphy said indifferently, "I don't care."

Gal Gadot raised his voice slightly, "But paparazzi and reporters will completely ruin our lives."

She knew that Murphy didn't care about reporters and paparazzi at all, nor did he care what the media and the public thought of him, otherwise they would have drawn a clear line with Rose. If you want to impress Murphy, you must start from what he cares most about.

"Have you thought about me?" Gal Gadot said seriously, "Murphy, have you ever thought about how much pressure I will face? I have to be harassed by paparazzi every day, and I have to be asked if my boyfriend is Not a drug dealer, have you thought about how I would feel?"

Hearing this, Murphy was silent, he really didn't think about it.

It is sheer nonsense to say that his affair can't involve Gal Gadot, and Gal Gadot will inevitably face questions from the media and reporters.

"I'm sorry, dear." Murphy leaned over and kissed her forehead. "I ignored your feelings."

Gal Gadot stretched out his arms, wrapped his arms around Murphy, lowered his head into his warm embrace, trying to impress him with tenderness.

But Murphy went on to say, "If it's another movie, I can give up."

For some reason, Gal Gadot suddenly felt wronged, but did not show it. Instead, he said, "Murphy, are you sure you are the most suitable director candidate?"

She knew very well that even though Murphy was not a stubborn person, if he wanted to move him about Rose, a frontal collision was the most stupid way, and a roundabout side was appropriate.

"Huh?" Murphy looked down at Gal Gadot, not quite understanding what she meant.

"When filming "The Wolf of Wall Street," you said that the key to making a biographical film is the position of the director and the film itself." Gal Gadot directly moved Murphy's original words out, "You can guarantee the film Isn’t his position biased towards Rose? If you speak for Rose, then you lose the meaning of filming."

Murphy suddenly didn't know how to take Gal Gadot's words.

Frankly speaking, he really cannot guarantee that he will not be biased towards Rose, because in his opinion, Rose has come to this step, not only has its own problems, but also has social reasons.

Gal Gadot glanced at Murphy, let go of his hand and sat on the sofa, and said, "I don't know as much as you in this respect, but I also know that a biographical film has a biased position. May become the laughing stock of everyone..."

"Hmm..." Murphy nodded slightly.

Regardless of Gal Gadot's purpose, there is nothing wrong with this.

He sighed slightly, thought for a while, and said, "Well, let me think about it. If I can't hold my position, I won't force it."

Gal Gadot smiled slightly and pecked Murphy's lips.

With Murphy's character, if his position is indeed biased, he will certainly not force it. Nowadays, it is not difficult to find a biopic director in Hollywood.

Of course, she knows that Murphy's final consideration may be to continue directing Rose's film. This probability is still very high, but like tonight, she can always use some suitable methods and rely on the accumulation of time. Dispel Murphy's thoughts.

In this regard, don't worry at all. Although Gal Gadot rarely uses it, he still knows how the pillow breeze should blow.

Murphy looked at the wall clock and pulled Gal Gadot from the sofa. "Let's go, let's go upstairs to sleep. There is still a lot of work to do tomorrow."

Holding Murphy's arm tightly, Gal Gadot followed him up the stairs.

Gal Gadot understands Murphy. Why doesn't Murphy understand her. He understood Gal Gadot's intentions just now, but he still promised her to think about it carefully.

This is not because of what Gal Gadot said about the director and the position of the film, but what she said before.

Murphy knew that he did ignore Gal Gadot's feelings.

There are some things that are completely different from facing two people. Murphy doesn’t care about it, but he must consider whether it will hurt Gal Gadot. Perhaps at first, he pursued Gal Gadot. Duo is more because of the Wonder Woman, but after so many years of getting along, time condenses not gaps and boredom, but deeper feelings.

Although the two are not married, or even have no engagement or any commitment to each other, Murphy has long believed that the two form a family, and Gal Gadot’s words tonight also awakened him and made him realize that, Before doing certain things, one must consider the family.

In any case, he will not let his home be harmed.

Therefore, Murphy is considering Gal Gadot's words very seriously.

There is still plenty of time now, and he can consider it slowly.

Early the next morning, the crew returned to the studio and Murphy continued to shoot his new film.

From this stage onwards, Henry Cavill’s personal appearances will be reduced, and his two stunt doubles will be frequently added to the shooting. The male protagonists in these scenes will basically wear masks, so you can shoot action scenes without Henry. -Murphy will try not to use Cavill.

In addition, Murphy also asked the crew to prepare special costumes and masks for Chris Dan, played by Henry Cavill.

The clothing is designed with Kevlar material, which highlights the angular texture and the practicality necessary for realistic filming of the film. It is completely black.

The mask is very simple. It is made with the latest carbon fiber technology and is expensive to build. The mask will completely wrap the actor's head, leaving only the rectangular open design on the eyes for easy observation.

There is nothing surprising about the shape. At first glance, it looks like an American soldier wearing a black body armor.

The film is dominated by dark realism. Murphy doesn't need the actor's cool look, and the overly cool and bizarre outfit will destroy the actor's psychological state of hatred.

"photography?"

"OK!"

"light?"

"OK!"

"..."

In the studio, Murphy made a routine questioning, and then let the scene call out to start.

The set was set up as a subway station. Chris Dan had just rescued Jay Rachel from a group of gangsters and was about to leave, but she stopped calling.

"Wait!" Margot Robbie stood up and took a step forward. Henry Cavill, dressed in black, turned his head. The eyes of his mask flickered. Margot Robbie looked at him anxiously. Said, "You will die if you go, at least let me know who you are!"

Henry Cavill hesitated for a moment, and said with an urn voice, "It doesn't matter who I am underneath the outside, it doesn't matter what I do!"

After speaking, he turned and jumped to the subway station. Margot Robbie said in surprise, "Chris?"

"well done!"

The two actors were in good condition, and Murphy directly shouted through, "This one is over!"

Afterwards, the actor went to remove the makeup and rest. Murphy left this temporary studio and went to another shooting location next to it. Michelle Williams and the action director were taking some stunt actors to shoot a melee here.

In this action scene, Murphy was completely handed over to the action director to take the lens. There was no intention of interfering at all. He just stood by and watched. The action director has rich experience in action. The designed action fully meets Murphy's requirements. Everyone has no action routines. Any fancy is closer to actual combat.

During the preparation period of the 20th Century Fox, he suggested to Murphy to use kung fu and other fancy routines, but Murphy did not think about it. Kungfu or action guidance from Hong Kong changed the entire Hollywood action movie, even his one. The film has also been affected. After all, these excellent action directors in Hollywood today have basically absorbed a lot of things from Hong Kong.

But Murphy’s requirements are more combat-oriented. The model in this regard is the Wonder Woman in "Man of Steel". Fancy routines like Kung Fu are really good-looking in action movies, but they are not suitable for everybody. Movies.

For example, in his realistic film, the male protagonist's play with those ostentatiousness just for good looks will completely destroy the atmosphere of the film; for example, a film with a lot of action scenes like the "Lord of the Rings" trilogy is also inappropriate, and the characters in it are also unsuitable. Things like kung fu, that's a joke of the century.

I watched here for a while and saw that there was no problem. Murphy returned to his film crew. The film crew had already arrived at another set, where there was only a green screen.

After waiting for a while, Margot Robbie and Henry Cavill, who had re-applied makeup, appeared on the set.

After a short adjustment, Murphy announced that the shooting had started again.

Surrounded by the green screen, Margot Robbie walked cautiously and found the busy Henry Cavill. The two looked at each other affectionately, with too many complicated things in their eyes.

Murphy stood behind the monitor and watched the performance of the two. This is a long shot that requires a certain amount of explosive power in the performance of the two.

"I'm sorry I couldn't tell you."

Chris Dan’s lines have a point. After all, this is a realistic style film. The hero wants to fight crime and is destined to live in solitude.

"You don't have to apologize, Chris... I've been thinking about you, and we..."

Margot Robbie got closer and closer, and the two finally hugged each other. This seemed to be a happy ending in line with the usual Hollywood style, but Margot Robbie took the initiative to distance himself.

"You are the messenger of justice in the night and the nemesis of evil. Chris has been left in a corner of the world. Maybe he will come back when New York is truly safe..."

Today, I mainly filmed the rivalry between Henry Cavill and Margot Robbie. At the end of the day, Murphy called the male and female protagonists to his office to explain the adjustments made the next day.

In this regard, he will communicate with the actors in advance, instead of temporarily changing the scene without communicating with the actors, as some directors do.