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Chapter 046 Weapon Ascension

Empress Wu led her internal and external wives, and the Fengchan car traveled for hundreds of miles.

Also accompanying were envoys and chiefs from Turkic, Khotan, Persia, Tianzhu, Japanese, Silla, Baekje, Goguryeo and other countries.

In December, they gathered at the foot of Mount Tai and sent people to build a round mound sacrificial altar four miles south of the foot of the mountain, decorated with five-color soil, and called it "Feng Sacrificial Altar".

On the top of the mountain, an altar is built, five feet wide and nine feet high, and it is called "Dengfeng altar".

On Sheshou Mountain, an octagonal square altar was built, and it was called "Jiangchan Altar".

In the first lunar month of the following year, Emperor Gaozong first worshipped the heaven by "sealing the sacrificial altar" at the foot of the mountain.

The next day he climbed to the top of Daiding, and Feng Yuce was placed in the "Dengfeng altar".

On the third day, he went to the "Jiangchan Altar" in Sheshou Mountain to worship the **** of the earth.

After Fengchan ended, he received congratulations from the officials at the Hajj altar, and ordered the erection of three monuments: "Dengfeng", "Jianjing" and "Hajj". , The Zen altar was lowered to "Jingyuntai", the Yuan Qianfeng was changed, and Fenggao County was changed to Qianfeng County.

In October of the thirteenth year of Kaiyuan year, Emperor Xuanzong of Tang led hundreds of officials, noble relatives and foreign guest envoys to the east to Mount Tai to Fengchan.

The Fengchan ceremony followed the old system of Qianfeng. After conferring Zen, the **** of Mount Tai was named "King of Tianqi", and the etiquette and rank were added to the three princes. ", Shi Zhongyuan Gan Yao wrote "Ode to the Altar of the Head of the Society", and Su Shuo, the Minister of Rites, wrote "Ode to the Hajj Altar", all of which were written by Shi Jide.

In October of the first year of Dazhong Xiangfu, Song Zhenzong set out from Bianjing, riding thousands of horses, and sealing Mount Tai in the east.

Change Qianfeng County to Fengfu County; seal Taishan God as "Tianqi Renshengdi".

The goddess of Mount Tai was named "Bixia Yuanjun, the goddess of heaven and jade", and the "Xie Tianshu Shushu Ersheng Merit Inscription" was engraved on the east side of Tang Moya on the top of Mount Tai.

Zhao Wangdan wrote the "Ode to the Seated Altar", Wang Qinruo wrote "The Ode to the She Head Altar", and Chen Yaosuo wrote "The Ode to the Hajj Altar".

At present, only Wang Dan's "Saltar of Sealing the Sacrificial Altar" still exists in the Dai Temple courtyard.

After Song Zhenzong, the emperor came to Mount Tai to only hold sacrificial ceremonies and no longer enshrine Zen. The reason was that Lao Zhu did not believe in it.

This is also why there are 12 emperors who came to Mount Tai to worship the gods, but there are only 6 emperors in the official history.

Back to reality, Zhou Wenwen is now in the "garbage heap", looking for Feng Chan's materials and something he wants.

Tis also accompanied him. He was pointing out whose dead objects these things were. It was a bit unlucky, but who made one person and one sheep become grasshoppers on a line now?

According to historical records, since Qin Shi Huang, the six emperors have erected stone carvings in Mount Tai, and Qin Shi Huang praised his merits.

Emperor Wu of Han not only erected a stone but also built a altar, nine feet high, with a jade book buried under it. Emperor Guangwu of the Han built firewood with square stones, which is the etiquette of erecting wood into a square now, but it is obvious that Emperor Guangwu of Han The burnt wood will be bigger.

Tang Gaozong built a round mound sacrificial altar, which was decorated with five-color soil, and called it "Feng Sacrificial Altar". He also built an altar on the top of the mountain, five feet wide and nine feet high, with a majesty on all sides, called "Dengfeng Altar".

He also built an octagonal square altar on Sheshou Mountain and called it "Jiangchan Altar".

In the first lunar month of the following year, Emperor Gaozong of the Tang Dynasty "sealed the sacrificial altar" at the foot of the mountain to worship the heaven.

The next day he climbed to the top of Daiding, and Feng Yuce was placed in the "Dengfeng altar".

On the third day, he went to the Sheshou Mountain "Jianzhan altar" to worship the **** of the earth. After Gaozong's first trip, Empress Wu went up to the altar to offer sacrifices.

Tang Xuanzong not only got these etiquettes, but also after the consecration of Zen, the God of Mount Tai was named "King of Tianqi", and the etiquette and rank were added to the three princes and one rank.

Tang Xuanzong also wrote the book "Inscription of Mount Ji Tai" himself, and he was put on the top of Daguan Peak. He also ordered Zhongshu to make Zhang Shuo write "Ode to the altar of the sacrificial sacrifice", and Shi Zhongyuan Gan Yao wrote "Ode to the altar of the head of the society". Said and wrote "Ode to the Hajj Altar", Junle Shi Jide.

The last emperor, Song Zhenzong, conferred the **** Taishan as "Tianqi Ren Shengdi" and the goddess of Taishan as "Tianxian Jade Girl Bixia Yuanjun", and engraved "Xie Tianshu Shushu Ersheng Merit Inscription" on the east side of Tang Moya on the top of Mount Tai.

Zhao Wangdan wrote the "Ode to the Seated Altar", Wang Qinruo wrote "The Ode to the She Head Altar", and Chen Yaosuo wrote "The Ode to the Hajj Altar".

It can be seen that Zhou Wenwen needs to build a super large stone, and also needs to build a jade book, five-color soil sealing the altar, and writing a book.

Five-color soil refers to the pure natural soil with five colors of blue, red, yellow, white and black.

The use of five-color soil is recorded in historical documents such as "Shan Hai Jing", "Yugong", "Zhou Li", "Historical Records" and "Tang Shu", and is mostly used in major ceremonies such as the establishment of national societies by feudal lords and the enshrining of Zen by emperors.

In ancient times, there has always been a system of "Sacrificial Ceremony".

The Sheji altar built with five-color soil contains the ancient people's worship of the land. The five-color soil is handed over by tribute from all over the country to show the meaning of "Under the whole world, is it not the king's soil".

"Han Book of Suburban Sacrifice Records" records: "Xuzhou Sui tribute five-color soil each one bucket", exclusively for the use of the court.

The earlier "Shangshu·Yugong" said that "Xuzhou Jue tribute five-color soil," is unique in Kyushu tribute.

"Historical Records: Filial Piety": "Bingchen, at the foot of Zen Taishan, is located in the northeast of the Shouran Mountain. It is like a sacrificial soil ceremony. The emperor all pays respects in person, and his clothes are yellow and he makes the most of it. There are three ridges in the Jianghuai for the gods. The five-color soil is beneficial to the miscellaneous seals. Even in the distance, strange animals, birds and white pheasants are quite added to the temple. The ox, rhinoceros and elephants are of no use. They all go to Mount Tai and then go."

"Tongzhi·Xuzhou Chronicle" records more specifically "Zhe Tushan produces five-color soil, tribute from Xia Yu, five years of the Han and Yuan Dynasties, Tang Kaiyuan to Song Dynasty all paid tribute..."

The Sheji altar is the symbol of the ancient emperor Jiangshan Sheji, so the Sheji has become synonymous with state power.

If Zhou Wenwen remembers correctly, the best-preserved Sheji Altar is located on the west side of Tiananmen Square, West Chang'an Street, Dongcheng District, Forbidden City, covering an area of ​​more than 360 mu. and the place of the **** of grains.

The Sheji Altar is opposite to the Taimiao Temple, and they are located on the left and the right of Tiananmen Square respectively, reflecting the imperial capital design principle of "Zuo Zu and Right She".

The main buildings include the Sheji altar, the worship hall and the auxiliary buildings Jimen, Shenku, Shenchu, and sacrificial pavilion.

The Sheji altars were established separately in the early days, called Taishe altar and Taiji altar. They were dedicated to the gods of the society and the gods of Ji, and then gradually merged into one and worshipped together.

In the Tang Dynasty, there was an ancient temple in the northeast suburb of Youzhou City.

In the Liao Dynasty, the ancient temple was expanded into Xingguo Temple.

In the Yuan Dynasty, Xingguo Temple was enclosed in Dadu City and renamed Wanshou Xingguo Temple.

In the eighteenth year of Yongle in the Ming Dynasty, after Zhu Di, the ancestor of the Ming Dynasty, moved the capital to Beijing, he built the altar of shrine on the basis of Wanshou Temple.

In the 21st year of Emperor Qianlong of the Qing Dynasty~www.wuxiamtl.com~ The inner wall around the altar was changed from four-color brick walls of blue, red, white and black to four-color glazed bricks.

On October 10, the third year of the Republic of China, the name of the "Sheji Temple" was changed to "Central Park", and it was opened on a trial basis for three days to welcome citizens to visit.

In the fourth year of the Republic of China, Tanghuawu, a building combining Chinese and Western elements, was built in the southwest of Central Park.

In the fourteenth year of the Republic of China, after Sun Yat-sen's death, he stopped in the worship hall of the Sheji altar.

......

To be continued

Chapter 047 Announcement of Wang Jian