Magic Tower Starry Sky

Hallomi took the lead, and after seeing her teacher finished talking with the silver-bearded dwarf, the three apprentices touched her wretchedly. In addition to Kaya, today's little follower also has a Leonardo. The poor young man was bravely moving forward on the crooked road led by his seniors.

The three of them took a stack of papers and handed them to someone. "Teacher, take a look at our designs. Which one is suitable for making with silk?"

This is just an account of what happened not long ago. While they were tidying up the courtyard, they still had time to prepare these things. Or is this something they have been prepared to wait for?

After receiving the design draft, Lin looked at it seriously. In the past, this group of women did not need someone to review the manuscript to make clothes, but it is different today. The difference lies in the enchantment in the silk reeling stage, and the programming after inputting the plate into the jacquard machine. Lin has not yet made a fool function, that is, scanning things into it can be used.

Once there is any change in the enchanting content or the weaving pattern, the settings must be changed, and the reference mark must be re-entered. Despite the project of building the Jacquard loom, several women were involved, especially in the programming part of the programming language. But at the same time, these parts are only piecemeal functions, and the final integration is done by someone.

This also caused the jacquard machine to be useless if someone didn't do it. Unless other people intend to continue the previous design and make something similar to the basalt robe on Lin's body. The question is, who will?

So even if the number of silk cocoons was accumulated enough to make a set of clothes, work still didn't start. The main reason, of course, is that someone has a cancer attack. The external statement is that I hope to accumulate more silk cocoons, and then I can make more clothes at one time, instead of doing it intermittently. Simply put, it is to accumulate things and complete them in one go.

But since the apprentices were solicited for their design drafts, of course they planned to get them and Fen and the women's outfits together first. So today I am going to review the design draft submitted by several apprentices.

It's just that it's okay if you don't turn it over, the more you turn it, the more you shake your head.

"Basically, this manuscript is still the same as it was four or five years ago. It hasn't improved. What's the point of drawing it? Is it interesting to keep digging out old things and playing with them once, twice or thrice?" evaluation of.

She just took the clothes designs that she had sewn in the past and put them together to make a new one. Maybe it's something new in the eyes of others, but in the eyes of someone familiar with the origin of these clothes, it's a bit nondescript.

"Well, I understand your change to get closer to nature. It's not a mistake, and I don't object to it. But imagine being like a forest goblin, wearing flowers, plants, leaves and vines on your body, please wear real flowers and grasses directly. Instead of making the silk that was so hard to make into fake flowers and grass." This is the evaluation for Hallumi.

This product has been out of the scope of human beings. It adopts a super retro style and restores it to the Bible. In the Garden of Eden, Adam and Eve’s costumes are a little bit more...

"What is this? A village girl from Florence?" This was Leonardo's evaluation.

Leonardo also submitted a design draft, so someone doesn't know if he was forced by his two senior sisters, or he himself just joined in the fun by being idle and flustered.

Although his paintings are fine, his vision is only the hometown in his memory, and it is still very rural, not the aristocrats or wealthy merchants in the European Middle Ages. But for a country boy who was forced to travel to Lost Land when he was a teenager, he couldn't force too much.

In the end, Lin crossed the heads of the three apprentices and asked the Lich who was sitting firmly on the sofa behind, "Did they show you these things?"

Fern shook her head, then nodded again. She is not very interested in fashion design. She always takes someone's design drawings and sees which outfit she thinks looks good today, so she just makes it and wears it on her body. After all, none of this has anything to do with magic.

"Teacher, what's wrong with the things we draw? Isn't it the same design from the past? You will be scolded if you maintain it, and you will be scolded if you let it fly and restrain it. Then how should we draw it?"

"Bring a pen and paper." Someone ordered without further explanation.

It has been a few years ago that my teacher drew the concept map of clothing. In the era of the Great Sage's Tower, someone with a lot of leisure thought of this as a way to pass the daily boredom. But after leaving the magic tower, too many things prevented him from picking up a paintbrush to paint these things that had nothing to do with magic or work.

When I ordered them again today, the two girls were of course excited to find the sketchbook and colored crayons. The latter is the result of someone who was bored in the past. Although the manufacturing process has not been improved, but because it is not troublesome, the materials are replaceable and easy to obtain, the two girls have always had the habit of keeping them by their side.

For Lin, the concept of what he wants to paint is actually very simple. The fabric used today is woven silk brocade, and the most suitable clothing for this fabric, in addition to cheongsam and Japanese kimono, is of course Hanfu and Tang suit.

Just as rice cooked in local water is the most delicious, in the land where brocade was born, of course, the clothing styles that are most suitable for this kind of fabric will be developed.

A few quick strokes, and a few strokes with a crayon are considered coloring. A mannequin wearing a horse-faced skirt, jacket with a stand-up collar, and long trousers appears vividly on the paper. Some are wearing little mandarin jackets, some have cloud shoulders, and there are several different shapes.

After drawing the human model, the next step is the detailed carving of each clothing part. What takes the most effort is the pattern decoration on the clothing.

An all-red outfit, with a bird image on the long trousers. The original intention was to draw Suzaku, but 'Suzaku' is a fantasy bird that does not actually exist. Therefore, Lin adopts the shape of a phoenix, which is similar to the image of a red peacock used by most people, and omits the peacock's tail feathers, which is the Suzaku painted by Lin. And on the skirt, it is the shape of the sea of ​​clouds.

A set of light blue clothes, with a green dragon coiled on the long skirt, and the skirt is covered with rough sea waves. The dragon shape is different from the tattoo style, and it does not deliberately pursue a full-page or majestic feeling. It's a somewhat cloudy, elusive taste.

A set of bluish-white ones, and on the pony is a mountain tiger. Black stripes on a white background, just a few strokes, fully showing the king's posture of howling mountains and forests. The skirt surface is the scenery of mountains and forests, which adopts the style of traditional Chinese painting, rather than realistic style.

Although it is an essay, it took someone a lot of time. However, the eyes of the few people who were watching by the side became brighter and brighter. In the end, every time a manuscript was completed, the two girls brought it to their elder sister like offering a treasure, chirping.

When the three sets of costumes were painted, Lin flicked his wrist, which had not been painted for a long time. Previously, such pictures were shown using whiteboard pen technique, with space as the canvas and consciousness as the brush. However, this display can only be used temporarily and cannot be retained. In order to keep the bottom line, Lin still had to use the old method to paint, and it was also for the convenience of follow-up work.

At this time, after reading all the manuscripts, Fen raised her bright eyes from the manuscript paper, looked at someone, and asked, "Why is there no similar clothing in the drawings you left behind?"

Because the things left before are just a little obsession with the memory of anime video games. The things I drew are not some impressive heroine costumes, or clothes that appeared in H_Game. Or some classical style costumes designed from movies and TV dramas under the so-called "textual research" of the crew-who knows if they really fit the background of the times.

As for fashion-style clothing, in fact, before time-traveling, I didn't care about fashion. At best, it's just seeing some reports about the fashion circle on the news, or it's just a star walking on the red carpet or attending an important event.

But with this little thing, it is not a big problem to use it to bluff the natives. However, this kind of words obviously cannot be said directly. Lin rolled his eyes and said, "I didn't have any suitable fabrics before. Look at the key points of these clothes, all of which are the decorations on the clothes. If these things are embroidered, they can be embroidered, but it will take a lot of time. Those two girls are magic apprentices, the most important thing is to learn, not to hone their own embroidery skills. So I am glad that I didn't let you see these pictures before~www.wuxiamtl.com~ I spent too much on it time."

"Well, that's true." Although she is not good at embroidery and tailoring, it doesn't mean that Fern can't figure out how much time it might take to spend on it. At least, she is not willing to put on some shoddy clothes. But to be refined, it takes time, or work on other aspects.

But looking at the shape of the three spirit beasts. Fern only recognized a tiger in it, and had never seen the other strange creature with the head of a dragon and the body of a snake, and although the red one could be seen to be a bird, he had never seen this kind of bird either. Recalling what happened the day someone put on that black robe, she frowned slightly and asked: "The shape of these clothes will not let what happened that day, let's do it again."

This worry made the two girls turn their heads to look at their teacher, their eyes looked like they had caught some vicious little thief digging a hole. Lin explained with a smile: "Of course I have a way to prevent and respond to the events of that day. More importantly, as long as it is not worn on my body, there should be no major problems. I will use these spirit beasts The shape of the clothes is just a random drawing, and it matches the basalt robe on my body. If you think it is not suitable, you can change to other shapes. These pictures are just to tell you that the types of clothing are not limited to the ones drawn for you before. Those who have seen it can be sewn and cut to make the desired shape, and can also start from the pattern of the fabric surface."

After getting the answer, the three women couldn't wait to discuss it, completely excluding someone. In fact, from the past, their attitude towards doing things has been like this. The main reason is that Lin doesn't want to intervene too much in the details of the clothing, he just likes to appreciate the final result of being worn on a human body. Cutting and sewing is even more so. Although he can do it, someone prefers to leave things to others.