The Director of Music Department

When the movie is here, it seems to reveal a lot of information.

Malcolm is a famous psychiatrist.

But because of the patient who gave up, his life has changed.

Perhaps because of this, he will take Cole's case.

On the other side, Cole was obviously a boy with a story, a boy with a secret, and he didn't want to tell anyone about this secret.

And are the scars on his body related to these secrets?

All of this feels confusing and confusing.

The video continues.

Malcolm hurried into a dimly lit Italian restaurant. He searched every dining table and found Anna.

Anna sat alone in a corner. Half of the food is still on the table.

Anna was stirring the coffee, and Malcolm sat down across from her, she continued stirring without raising her head.

Malcolm said, "I thought you were talking about another Italian restaurant, where I begged you to marry me."

It's a pity that Anna still didn't move.

Malcolm said again: "Anna, I'm sorry. I've always forgotten the time lately."

Anna took a sip of coffee.

Malcolm said in distress again: "Today's visit was not very smooth either."

Anna looked up to find the waiter.

Malcolm: "...The two of them are very similar, with the same movements and expressions, and with the same psychological problems. He may have been abused."

Anna turned her head, glanced in Malcolm's direction, and lowered her head again.

Malcolm: "... Cole has scratches on his hands, as if he was scratched by a nail, maybe it was scratched when resisting. I don't know. It may be a teacher or a neighbor. It should not be his mother. I have seen it. They get along and don’t look like her. I might have read it wrong. Maybe he just likes climbing trees."

The waiter put down the bill, and Anna signed it before Malcolm.

Malcolm apologized very sincerely: "Anna, I know I alienated you, I know you are angry... but I think this is my opportunity to make up. I don't want to miss it."

Anna just said, "Happy wedding anniversary."

Anna got up and left without saying a word.

Malcolm sat alone.

This scene once again made the audience somewhat difficult to understand.

Why did the two who once fell in love become like this.

There was obviously something wrong with Anna and Malcolm, but what was the problem?

Is it really because Malcolm alienated her?

All of this makes the audience unable to help but wonder, of course, at the same time they will also be curious and look forward to the announcement of the final answer!

Back to the movie.

Cole and Malcolm were walking along Brownstone Street, where children around the age of seven or eight played around.

Cole looked at Malcolm and said, "Don't look at me all the time. I don't like to be seen that way."

Malcolm nodded graciously and said, "Okay."

Cole explained: "I go to school with Tommy."

Malcolm asked: "Is he your good friend?"

Cole said sadly: "He hates me."

Malcolm asked, "Do you hate him?"

In the end, Cole shook his head: "No."

Malcolm asked again: "Your mother arranged this?"

Cole nodded: "Yes."

Malcolm continued to ask, "Have you told your mother about Tommy?"

Cole glanced at Malcolm, then shook his head: "I will not tell her anything."

Malcolm was a little puzzled: "Why?"

Cole said: "I don't want her to look at me like others. I don't want her to know."

Malcolm was curious: "Know what?"

Cole looked at him and said, "I'm a freak."

Malcolm stopped. He stared at Cole: "You're not a freak, you know? Don't believe what other people say, it's all bullshit. You don't have to believe these words. Okay? Let's go."

Cole was a little surprised. He caught up with Malcolm and said, "You just said dirty words."

Malcolm nodded: "Yes, I know. I'm sorry."

Malcolm was a little emotional, and Cole was suddenly moved by Malcolm. He looked at Malcolm with another look.

In this scene, the conversation between a young man and a young man revealed a lot of things.

First of all, Cole has a problem. He has a secret and is unwilling to tell his mother.

Just what is the secret?

Why telling mom will make mom look at him like everyone else?

What is it that makes a child feel like a freak?

All of this, not only did not relieve the audience, but became more and more puzzled.

Go back to Cole's house.

Mother Lynn is cleaning up the house.

She carried a laundry basket, adjusted the temperature regulator on the wall, and turned into the hall.

Lin put the things to be washed in the laundry basket.

Life photos of Lynn and Cole hung on the wall of the hall. There is Cole's birthday party, Lynn and Cole are in an amusement park, Cole is under the Christmas tree...

Lin took a step forward. She found something she had never noticed before.

In Cole's 3-year-old photo, there is an arc behind Cole, the arc is not very clear, it seems to be dirty on the film.

Lin found that every nearby photo had an arc behind Cole.

She looked at each photo curiously.

The audience is also a bit weird, how should I say? The movie can be said to be advancing step by step, but it leaves more and more doubts.

Lin listened to the earphones, walked into Cole's room and started to clean up.

The most striking thing in the whole room is the self-made tent fixed on chairs and boxes with sheets and blankets, which occupies a large area of ​​the room. The tent says "Do Not Enter". The shepherd moved and continued to sleep.

On Cole's bedside table, there is a picture frame of Lynn, Cole and a man. The man is like a large replica of Cole.

Lin picked up the dirty clothes on the floor and on the easel and threw them into the laundry basket.

Lin saw that the table was covered with scraps of paper with writing on it. Lin was stunned by the content on the paper.

On the paper, words like "I want to kill you" and "I will kill you if I don't let the baby be quiet."

Don't say it's Lin, who is a mother, even the audience was stunned when they saw it.

Why on earth, what on earth are these things going on?

Lens conversion.

Come to Cole and Malcolm's side.

"...So your dad lives in Pittsburgh with the toll gate lady." Malcolm asked, sitting on the sofa.

Cole thought, "What should she do when she has a urgency at work? Will she hold it?"

Malcolm: "I don't know. I'm thinking about it too."

Cole didn't understand, he was puzzled: "Today you keep asking about my dad. Why?"

Cole was playing behind the sofa, but didn't know what he was playing.

Malcolm: "I don't know. Sometimes we do things to get people's attention to express our feelings about certain things, like divorce. It's like some people will deliberately throw things away for people to find."

Cole's head was moving. But obviously wearing a hat.

Malcolm: "Cole, do you know the free association notation?"

Cole: "I don't know."

Malcolm: "Free association writing is to take a pen and start writing on a piece of paper. Don't look at or think about what you are writing, just keep writing. As long as your hand doesn't stop, after a while , You will write unexpected things on a whim. Maybe it is something you heard elsewhere, or something hidden deep in your heart. Have you written?"

"Written."

Malcolm: "What do you write?"

Cole was behind the sofa, only showing the top of his head: "Some annoying words."

Malcolm: "Did you write those words before your father left?"

Cole: "I don't remember."

Malcolm looked at Cole and suddenly thought of a question: "Do me a favor, okay?"

Malcolm smiled and stood up: "Think about the results of our interview. Set a goal."

"What do I want?" Cole bared his head from behind the sofa. He was wearing his father's hat, which was too big to wrap him up to show only his small face.

Malcolm: "If you can change your life, what do you want?"

Cole came out from behind the sofa: "Can I not ask for something?"

Malcolm: "Yes."

Cole: "I don't need to be scared anymore."