The Director of Music Department

On the "Legend of the Sword and the Fairy", after Xu Cang is determined to be the director, Wang Yifan will not go to multi-management for the time being. After all, Xu Cang is a veteran in the preparation of the TV series, including the formation of the crew and the scene, and Wang Yifan is not needed. Worry, but Wang Yifan still couldn't relax even this way.

On the one hand, he has to stare at the later stage of "Too Deep in the Play", on the other hand, he is purely looking for trouble for himself.

"Kidnapping" is going to be rebuilt. Fortunately, many of the shots Fang wanted to shoot can still be used, but a lot of things need to be reshot. At this time, Feng Bin and others are not well-known, but it is a good thing.

Because if you are a big-name celebrity, if you want to do this, people will definitely not do it, and even if they have no objection, the compensation will cost a lot of money, but because Fang Xiang originally chose cheap and cost-effective acting. , So it doesn’t need to be so troublesome.

In addition, Wang Yifan and Fang Xiang are not at the same level.

The protagonist Feng Bin was dug out by Fang Xiang. He has played many supporting roles before. "Kidnapping" can be said to be his first movie starring, but Feng Bin was depressed in the end.

Actress Ouyang Jing, although not as good as Xu Cang's acting skills, but Sheng Zai looks beautiful enough, and she is from a major class, and her acting skills are at least passable.

This drama can be said to be the first starring movie in Ouyang Jing's debut. At the beginning, she was the envy of her friends and classmates. She could act as the heroine for the first time in the filming, but now she has become a laughing stock.

The first heroine's drama is directly cold.

When Feng Bin received a call from Fang Xiang again, to be honest, it was impossible to say that there was no resentment in his heart, but Feng Bin still maintained enough respect.

"Director Fang, is there any progress in the movie?" Feng Bin knows the situation of this movie, after all, it is his first starring movie.

So when Fang wanted to call, Feng Bin was actually looking forward to it.

"Yes, I sold the movie to Wang Yifan." Fang Xiang said over the phone.

"Wang Yifan? Is that Wang Yifan?" Feng Bin asked with excitement and excitement.

Fang Xiang on the other end said, "Yes, but he might ask you to make up some shots later..."

If Fang Xiang himself told Feng Bin to make up the shots, it is estimated that Feng Bin will be angry no matter how good the temper is. But this time, Feng Bin is only excited and excited, but there is no sense of shame.

"I have no problem." Feng Bin replied.

"That's it. You... forget it, don't say it." Fang Xiang wanted to say a few more words, but he swallowed it back when the words reached his lips.

"Anyway, thank you for your guidance." Feng Bin said seriously.

Although the movie hit the street, Fang Xiang did indeed support him. So Feng Bin is very grateful for this.

On the other hand, Ouyang Jing can be said that everything went wrong during this period. In fact, Ouyang Jing's appearance is quite good. She is definitely a beauty. Of course, otherwise, she would not be admitted to the Beijing movie called the cradle of Chinese stars. College.

When she received a call from Fang Xiang, saying that the movie had been sold to Wang Yifan, Ouyang Jing suddenly felt like she was so guarded to see Yueming.

Fang wanted to hear Ouyang Jing’s joyous voice, but his heart was mixed. Once upon a time, whether Ouyang Jing or Feng Bin, when he was notified that he was selected as the protagonist, he cheered like this, but...

Wang Yifan sorted out the plot of "Kidnapping" again.

The first is the positioning of the film. This is a feature film and it is difficult to change it into another type of film.

The biggest problem with the movie "Kidnapping" is that the conflict between the plot and the characters is not enough. In Wang Yifan's view, for a movie, you must first have enough characters to conflict with the plot, and then , This film is definitely not a literary film, but a commercial film. Then the male and female protagonists are set to be a couple. This is no problem. It is set to be a couple whose relationship has temporarily cracked and entered a cold period. This is no problem, just need Just adjust some details, and then according to Wang Yifan’s idea, the main theme is to rescue the kidnapped heroine, but in this process, it is necessary to slowly show the emotional changes between the two. Therefore, following this principle, in the process of being kidnapped and rescuing the heroine, the feelings of the heroine and heroine in the play can be repaired, healed and even sublimated as the case continues, and finally reach the peak, so as to cater to the audience to the greatest extent .

As for the story of Chopshou, it must be deleted, and the audience definitely doesn't like to watch this.

Wang Yifan can understand why Fang wanted to design the heroine's hand to be chopped off, nothing more than to show the murder of the kidnappers, but the problem is that this kind of plot is believed not to be liked by too many people.

And to show the murderousness of the kidnappers, you don’t necessarily have to do it. In fact, you only need to show some of the kidnapper’s dialogue. Through the kidnapper’s dialogue, it is often more intuitive. For example, you can tell the audience through the kidnapper’s dialogue that the kidnapper actually fights. In the beginning, I never thought about keeping the heroine alive.

The second is the identity of the kidnapper. In Fang Xiang's version, the identity of the kidnapper is a bit too facial. The kidnappers who suddenly appear are kidnapped just for kidnapping, which is too common.

Because of this commonality, the heroine appears to be a bit buggy when suggesting that the hero reveals information.

Therefore, it is necessary to give the kidnapper an identity, so that this kidnapping is not a simple kidnapping, but to give this kidnapping an identity that is related to the hero and heroine. For example, the kidnapper is a competitor of the hero who was once the hero. I was defeated in the mall and carried out this kidnapping with a grudge.

Barabala, Wang Yifan finally cleared the plot in a few days, and then he had to make up some shots. Fortunately, in the material that Fang thought, Wang Yifan wanted many shots, and he would add in some shots. , And then edit again, that's it.

In fact, the whole film needs one of the biggest climax points, that is, when the male protagonist shows his wisdom, after all, this is not an action blockbuster like "Hurricane Rescue", so it can only be achieved through wisdom.

So this needs to be reimagined.

After Feng Bin and Ouyang Jing received the notice, they agreed without saying anything. They didn't even ask for any compensation in the film remuneration. If it was Fang Xiang's request, perhaps the two would still be dissatisfied, but this person was replaced. They have no opinion on Wang Yifan's words.

On the other side, after Wang Yue was wooed by Kyushu in the Sheng Tang Dynasty, he was also very energetic. In fact, he was holding a sigh of relief in his heart.

At the time of Xingmeng, he could be said to have been suppressed by Wang Yifan. Although Wang Yifan did nothing, there was no way. The success of "You Are My Eye" was still attributed to Wang Yifan by most media or the public. The more uncomfortable he feels, the fickle people are. In the beginning, Wang Yue didn't have high requirements, he just wanted the opportunity to direct independently.

Then, he achieved this goal, but with the success of "You Are My Eyes" again, his mentality changed.

And in his opinion, he no longer owes Wang Yifan anything.