"Special Task Force" has experienced some shocking but not dangerous storms, and it is still in the midst of a healthy and healthy broadcast.

In the midst of these waves, the opening department of Dimension Entertainment seemed to be isolated from the world, and did not pay attention to this kind of thing at all.

No matter how much Fan Zhe, the boss and chief producer, has to do, he will never give up his attention to the production of works.

In fact, during this period of time, apart from paying a little attention to the struggle with "Datang" and listening to several reports, his main energy was still on the production team.

He and Zhong Hua spent more time arguing with each other than listening to business meetings.

On weekdays, most employees say that Fan Zhe is a very talkative boss. At the same time, after Zhong Hua served as one of the art directors of Dimension Entertainment, and actually led the art team of "Fantasy Three Kingdoms", everyone was convinced of him. He felt that he was excellent and at the same time he was relatively gentle.

Well, until after the two quarreled for the first time in the office.

The noise is not because of other things, it is purely because of art problems.

At that time, the first fight between them was because the two had a certain disagreement regarding the demonization of the image of'Lü Bu'.

Lu Bu is the so-called ‘Xiao Wujun of Heaven’ in the plot, one of the seven secret congregations, and an important enemy in the middle of the plot.

After all, this game is already ten years ago. No matter how classic the characters set these things, at least on the screen, they have fallen behind by an entire era.

On many screen settings of the original game, the game itself can give Fan Zhe their reference value, which is very limited.

To do the visual design of today's TV drama projects according to the game design ten years ago, what does it mean to "subvert domestic dramas"?

It must be re-engaged.

There are two sets of image design for Lu Bu, the ‘Xiao Wujun of Heaven’. The first set is what Lu Bu looks like in his normal form. This one has been fixed a long time ago and was painted by Luo Qi. When the crew was shooting, Lu Bu's image and clothing were executed in accordance with the design drawings given by Dimension Entertainment.

As for the state of gods and demons, it must be synthesized by cg technology through the lens under the green screen.

However, when designing at that time, Fan Zhe and Zhong Hua formed a relatively big difference in the image after the demonization.

The two quarreled fiercely.

The key content of the quarrel is whether the image of the demonized Lu Bu is closer to humans, or is more biased towards a monster and inhuman image.

Fan Zhe prefers the former, but Zhong Hua prefers the latter.

Zhong Hua took out a design drawing. In the picture, the demonized Lu Bu has four arms, two of which are wielding a huge Fangtian painted halberd, while the other two hold a sword in one hand and manipulate spells in the other. The whole image is like wearing scarlet armor and purple gold crown on the head. Two traditional phoenix wings and tail feathers are made into the appearance of flame, just like two flame whips growing from the forehead.

What's more important is that his face has become a demon.

This was opposed by Fan Zhe.

Fan Zhe believes that such a thing is slightly inconsistent with the whole feature of the work that is biased towards romance. The entire painting style is too realistic and terrifying.

At that time, this discussion was conducted in Zhong Hua's. The workstation he is in is a semi-open place, which is relatively independent, but it is not completely isolated from the peripheral work team.

As a result, the quarrel between the two of them was heard halfway through the opening of the art department.

Everyone looked sideways for it. Unexpectedly, two normally and cheerful bosses could be so fierce when they stand up against each other.

The final result is that both people have a considerable degree of compromise.

On the whole, the inhuman image was retained after the demonization of the gods, but some horror features were slightly restrained and moved towards a more comfortable visual solution.

Not everyone can accept a terrifying image, and this work is not a horror movie. Fan Zhe doesn't want to scare people, let alone get into trouble when it is reviewed by the above.

What's more, the overall style of the story. When he was working on the conceptual design, Fan Zhe was more romantic, with a dreamy and comfortable style. This is the artistic tone he set for his works.

When Zhong Hua was designing, he had a lot of leeway for himself. I have to say that he is a talented digital artist, but he also has the fault that an artist should have-making things is always easy to mix with his own private goods.

Especially in the art industry, the so-called ‘high-level’ things may not necessarily have a wide audience.

More importantly, Zhong Hua's free swing is likely to cause conflicts between a single scene and a single design and the overall style.

For this matter, Fan Zhe needs to communicate with him.

But in the final analysis, this kind of creative exchange must be a good thing.

In the past, in the entire company, in terms of art, almost no one could refute Fan Zhe's ~www.NovelMTL.com~ There are not many people who are close to him. Miller is one of them, but the young mother is not hard-headed, and Fan Zhe has always been the only one who looks at him. Fan Zhe said what he said, and did what he said. He didn't give much advice, let alone fight with Fan Zhe.

It's not uncommon to have a temper with Fan Zhe, but Sun Yilang dares. However, his level is much worse than Fan Zhe, but he can't...

Now that Zhong Hua is here, it is also a good thing. The temper is neither soft nor hard, but he is persistent in creation; the level is on the same line as Fan Zhe, maybe some of his skills are better than Fan Zhe.

In this way, it is possible to communicate.

Fan Zhe will control Zhong Hua's free swing, so that his creation can be under the frame, and it will not be like a wild horse running too far.

At the same time, Zhong Hua's swing will also add more diversified changes to the tone set by Fan Zhe. This is also a very important aspect, otherwise, it would be a bit boring to walk down the whole film from one base.

This kind of quarrel between the two of them is purely limited to art and creation. It will not rise to the individual level, let alone cause any irreconcilable contradictions.

In fact, after the quarrel, they occasionally go out for a drink after get off work.

Hmm... just looks a bit fierce.

Recently, they quarreled again because of one thing.

Zhong Hua disliked Fan Zhe's conceptual design of the "Yellow Spring" scene and made it too gentle.

Zhong Hua: "What the **** is the color of this yellow shit? It's too monotonous and earthy."

Fan Zhe: "Your taste is also rubbish, what's wrong with warm colors? Why hell, Huangquan must be cold toned? Your old ideas should have been changed long ago."

"Ha ha!"

"Ha ha!"

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