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At the moment, all departments of Dimension Entertainment are busy.

Immediately after the animation of the fourth season of "Full Time Master", the second season of "Evolved 4.6 Billion Ensemble" is also finished.

In the first season of this animation, the taste of popular science was very strong, but later on, it had a little meaning of transition to science fiction.

In the second season, especially at the end of the second season, it becomes more obvious.

Currently, the commercial department is running this film.

In the case of past cooperation experience, Dimension Entertainment Priority still contacted Jiang Anhong of China Central Television.

In the estimation, the problem should not be too big. After all, with the results of the previous season, this second season will not be worse.

It was Tang Zhiqi who went to Beijing to deal with it last time, and this time it is still the case.

After the meeting, Jiang Anhong exchanged greetings with Tang Zhiqi and said that when "Fantasy Three Kingdoms" came out, he actually wanted to put some effort into pushing down the stage to buy the show. However, he is in charge of the children and science and education channels, and the integrated channel has little right to speak. Moreover, CCTV's purchase of the series is not just about watching the future popularity of the series. There are still many things to consider, so it was not achieved, which is a pity.

Regardless of whether Jiang Anhong's words are sincere or not, at least, the gesture that others put forward has fully demonstrated his goodwill.

This is very basic in cooperation.

Soon, the film was directly reviewed, and it was decided to broadcast it on the children's channel and the popular science channel.

As for the price, it is much higher than it was in the first season.

But the so-called much higher, in fact, it is not much higher. At best, it is a small profit of several million. This little money is not enough to make Dimension Entertainment particularly concerned.

The reason for continuing to be on TV is just to spread the work through this more mass media and strengthen the influence of the work. At the same time, the cartoon seems to be on a TV station like CCTV, so the subsequent policy preferences that can be obtained in all aspects will also become smoother.

The simplest and rude is the domestic animation subsidy. In this regard, Jiang Anhong also worked hard to help, otherwise, Dimension Entertainment would not sell animations cheaply.

Even with this subsidy, plus the TV station's selling price, they barely earned nearly 10 million in total.

It doesn't seem to be much, but it's not bad to have such benefits. The main purpose of selling to CCTV is not to seek direct profit, but to expand the influence of IP through this platform and bring more value to other derivative copyrights.

As for network broadcasting copyright, the income situation is far more impressive than that of TV broadcasting.

Twenty episodes of "The 4.6 Billion Ensemble", the exclusive online broadcast rights sold directly to 30 million, and the B station and Penguin Video jointly sold it.

Since the establishment of Dimension Entertainment, the cooperation between the two parties has been relatively close, especially Penguin Video.

In addition, other derivative copyrights of this work have also come to be renewed, re-authorized, or may be further expanded.

Especially in terms of toys and games.

Dimension Entertainment has released the news that the second season will be broadcast. According to Ye Jiayi's budget, as long as the performance of the work is considered satisfactory, the company will earn about 50 million yuan in revenue in the next year through derivative copyrights.

Adding up to the total, the total revenue of the second season of "Evolutionary 4.6 Billion Ensemble" is estimated to be hundreds of millions, of which the bulk of the copyright development is derived.

This is actually quite amazing.

Of course, as an animation work, "Evolutionary 4.6 Billion Ensemble" is far less capable of attracting gold than "Fantasy Three Kingdoms", but there is also a huge gap in volume between the two.

However, the revenue of "4.6 Billion Ensemble" is long-term, and it will take longer to recover slowly.

Speaking of long-term revenue, a month ago, the overseas copyright of the first season of "The 4.6 Billion Ensemble" was also operated. At the same time, the second season's plan to go to sea was also negotiated. In total, about two to three million dollars can be exchanged, which is not bad. And if this work is also very effective overseas, then there will also be something to do in the development of overseas derivative copyrights.

Overseas copyright development is still an aspect that Dimension Entertainment has not touched, but Ye Jiayi's ambition is big. Dimension Entertainment has tried to independently operate his own works. It is indeed a lot more tiring than handing it over to others, but the benefits are also greater. Big and more controllable.

When it comes to overseas copyright operations, naturally the same is true.

In a very early time, some overseas copyright owners have come into contact with Dimension Entertainment, hoping to introduce several of their animation works.

The price offered was neither high nor low, but Ye Jiayi did not sell it, at least not in the main target markets.

Now, Dimension Entertainment has established its own branches in Japan and Southeast Asia.

There are not many people in the two branches ~www.NovelMTL.com~, only three or two kittens, and their main job is to be responsible for copyright operations abroad.

Their work has been fruitful. The broadcasting copyrights of "Special Event Task Force" and "4.6 Billion Ensemble" have been sold out, and they have been operating well.

"The Task Force" is okay, but there is a certain market in Southeast Asia. Because the content is a bit high-level and various foreign countries, it is not easy to export. Only in some individual countries, such as South Vietnam, the culture is relatively similar to China, and the overall economy and culture are more dependent on China, so it is more convenient to export.

Like going to Japan, this work is basically cold, and few operators like it.

But the situation is different for the work "Evolutionary 4.6 Billion Ensemble". The first film with a popular science concept is easy to sell in any country, and because of the wide audience, it has indeed achieved some good broadcast results.

In addition to animation, Dimension Entertainment focuses more on operating overseas copyrighted works, which is actually "Fantasy Three Kingdoms".

The work "Fantasy Three Kingdoms" naturally has no problems in quality. Although the mode of operation is not the way that American dramas are broadcasted on seasons, but the content of the 46 episodes, when combined, the quality will not be worse than that of American dramas.

Due to the world background and cultural factors, it may be more difficult to introduce "Fantasy Three Kingdoms" into places such as Europe and the United States.

As a result, European and American copyrights and Dimension Entertainment were all sold as agents at once, and the price was not particularly high. A little bit of mosquito meat is also good.

However, in the entire East Asian plate, the signboard of the "Three Kingdoms" is still very useful.

In South Vietnam, Japan and other places, the division of Dimension Entertainment is actively making progress. At the same time, such as South Korea and the entire Southeast Asia region, the copyright operation of this work is also actively being carried out.