Tokyo Literary Godfather

"Fujiwara-kun, the results of the quick report are out, do you need me to inform you?"

"Yes, Mr. Itagaki, how did it turn out?"

"Ranked seventh, not too high, but not too low either, in the middle."

"Qiankun Chunqiu" has a total of thirteen long series and two short stories, and "White Night Journey" is stuck in the middle.

However, the beginning of "White Night Journey" is indeed not particularly fascinating. In other words, the writing method of this era does not pay attention to "striving first", and there is no need to spit out the selling points for readers. Readers are still patient.

Too much haste and it won't attract readers.

"The results of the quick report are just a reference. I will tell you after Xiaozheng has calculated the statistics after some time." Itagaki Kazuhiko said.

"Okay, excuse me."

After hanging up the phone, Kei Fujiwara returned to the set.

After passing by a group of contemporaries, Kei Fujiwara greeted everyone subconsciously, but for some reason, the group ignored him, and only one person turned his head and smiled at him.

Fujiwara Kei also lowered his head and smiled, but he didn't care much. He had experienced similar things in his previous life, which was normal.

He continued to play with Arima Katsura, who took out the script and read the lines to him word for word.

The plot seems to be developing in the direction of bitterness. There are a lot of crying scenes for Arima Guixiang. Arima Guixiang has a characteristic when performing crying scenes, that is, she likes to purse her lips, widen her eyes, shed tears, and then her shoulders tremble. stop.

In fact, this is Arima Guixiang's usual performance method, and it has formed a path dependence.

Many actors, especially actors with good acting skills, have this kind of path dependence. Because they are proficient enough in performance methods and have even formed their own unique style, and style is difficult to change once it is formed.

This is the performance method of "a thousand people are the same".

There is actually no obvious advantage or disadvantage between the two methods of "a thousand people have one face" and "a thousand people have a thousand faces". Both methods have produced great movie stars.

For example, Stephen Chow, Jackie Chan, and Jim Carrey are actors who look alike;

And Tony Leung Ka Fai, Simon Yam and Zhang Yi are actors with thousands of faces.

The one-size-fits-all approach focuses on expressing personal style and makes it easy for the audience to remember an actor. However, this approach also has a drawback, which is that it can easily bore the audience.

For example, an actor in Kei Fujiwara's previous life, nicknamed Jiaqian Jushi, was a type of actor who, although his acting skills were very good, had already developed a style and routine, and was often criticized for who was playing him.

Therefore, Kei Fujiwara has been advising his co-actors in his previous life that unless you plan to become an actor with obvious personal style like Stephen Chow, you should try to choose the "thousands of people, thousands of faces" method, and remember not to bring one kind of acting skills to all occasions.

Fujiwara Keimoto wanted to warn Arima Guixiang like this, but he thought for a while and didn't say it.

After all, he is just an outsourced AD now, just serving as the male protagonist's stand-in. Don't really think of yourself as a senior. It's okay to give some opinions on the script, but he is not qualified to point out the performance problems of a popular actor.

What's more, this drama has already been played for more than half of the show, and it was always so "crying" before. It is inappropriate to suddenly change the style.

Arima Keixiang cried and suddenly started shaking more violently.

Not only the shoulders trembled, but the whole body trembled.

Kei Fujiwara was stunned for a moment, and she was shaking as if she was having epilepsy. However, out of the corner of his eye, he glanced to the side and discovered that Arima Guixiang's manager was also shaking.

He looked down at his hands and saw that they were not the only ones shaking.

"earthquake……"

Japan is a country prone to earthquakes, and earthquakes are commonplace. The Japanese have always been trained to deal with natural disasters and will not panic when encountering such a thing.

After a brief daze, Arima Keixiang and her manager realized what they were doing and began to evacuate quickly outside the studio.

There were about a hundred people in the crew who evacuated quickly after sensing the earthquake. However, the whole process was very orderly, there was no pushing or stepping on, and the evacuation process was very efficient.

However, a discordant voice sounded in his ears.

Sato Wataru was so anxious that he made a shrill voice like a shemale: "Protect the camera!"

The cameramen quickly ran out holding their cameras. These cameras and lenses are the most precious possessions of the crew. When necessary, many staff members are willing to protect them with their own skulls.

Kei Fujiwara turned around and saw a lone camera ten meters away from him, so he ran over and planned to escape with it.

However, he accidentally bumped into Arima Keika. In this matter, Fujiwara Kei didn't care about any gentlemanly manners. He directly grabbed Arima Keika's arm and tried to pull her away.

At this moment, a lamp stand staggered down, facing the place where Arima Keixiang had just stood. The base of the lamp stand rubbed against the floor, making a sharp and sharp sound.

Kei Fujiwara also dodged the light stand sideways, but he was still rubbed by the light stand. Kei Fujiwara's sleeve split with a huge cut, exposing his flesh, leaving a white scratch on his arm, slightly Somewhat itchy.

Arima Keixiang was startled, and subconsciously crawled into Fujiwara Kei's arms like a frightened cat. After reacting, she stepped back slightly and thanked Fujiwara Kei: "Thank you, are you okay?"

As soon as she finished speaking, Arima Guixiang was stunned. Her hands were covered with blood.

what happened? Am I hurt?

Kei Fujiwara picked up the camera and without saying a word, took Keika Arima and evacuated the building quickly.

Only then did Arima Guixiang realize that it was not her who was injured, but Fujiwara Kei. A large gash was made on Kei Fujiwara's arm, and the skin and flesh were turned out, exposing the muscles and fat, and blood continued to overflow in streams.

Kei Fujiwara's lips turned white from the pain, but his face was expressionless. When he left the set, he just found a drinking water tap to wash the wound, and then waited for the doctor from the TV station's infirmary.

Forget about waiting for an ambulance. If an earthquake breaks out, there will definitely be many injured people. If I have a minor injury and a seriously injured patient rushes for an ambulance, I will be looked down upon.

"Fujiwara-kun, you are seriously injured..." Arima Keixiang came over, her face turned a little pale, and she began to stutter a little when speaking.

Kei Fujiwara took a look and said, "It's nothing serious. I'll just go to the hospital to take care of it later."

Arima Guixiang's face became a little defeated, "Thank you, you did it to save me..."

Fujiwara Kei said nothing and lowered his head to hide his embarrassment. It is indeed because of you, but not because of saving you. I thought you were in the way and wanted to pull you aside, but I didn't expect... Oh, bad luck.

After the injured received emergency treatment, Kei Fujiwara and several others went to the hospital for tetanus and stitches.

Taro Nishimura told Kei Fujiwara that he could recuperate in the hospital during this period and his basic salary would still be paid. Japanese companies are somewhat humane in this regard. Of course, they are also afraid of legal punishment and injured employees smashing the windows of high-rise cars.

The epicenter of this earthquake was Saitama, and Tokyo was also affected. Kei Fujiwara didn't know if there was such an earthquake in the original world. It was really difficult to count the number of earthquakes in Tokyo.

The next day, Kei Fujiwara did not go to the TV station to report on his work. Instead, he went home to rest. The TV station and the production company gave injured employees a few days off.

In the evening, Kei Fujiwara bought a bowl of beef soba noodles downstairs. After rubbing the chopsticks together, he was about to eat when something suddenly occurred to him.

"Beef is a fat food, right...can I eat it?"

In fact, in his previous life, Kei Fujiwara had never paid much attention to traditional Chinese medicine concepts such as "hair growth". However, since he came to Tokyo and was alone, he began to cherish life very much and did not dare to take risks.

Kei Fujiwara looked at the steaming soba noodles in front of him and hesitated. Wouldn't it be a waste to just throw them away?

Just when he was hesitating, the doorbell sounded again. Fujiwara Kei stood up and opened the door. He saw Arima Keixiang wearing sunglasses and her agent standing outside the door.