Wine and Gun

Tommy couldn't help but let out a hilarious laugh. Albarino glared at him. The young man shrank his neck and continued to use the hemostat to strip the soft tissue from the pubic symphysis.

Albarino thought about whether he should take the time to explain what the "different girls" were all about, but after thinking about it, there seemed to be no good explanation - because he was sure that he and Herstal should not At that point, although things have changed a lot now.

He followed his own heart, and of course, if the cops said, "his heart" was the key to the law enforcement's failure to catch the Sunday gardener. He has a different attitude towards each of his works. Some people just pass him by, and then he kills them. A few days later, they are shown in the public eye; some people he will silently follow. Months—like Richard Norman in his original plan—before deciding where they should be in his work.

And there are some people, very few people, maybe two or three in this decade: he would have sex with those people, usually in a chaotic one-night stand in a bar, and he would trace with his hands on a brief night Measure these male and female bodies. Then he withdrew from each other's life like all one-night stand objects, and killed them after three months to six months. The police have not linked them to him yet.

And Herstal Armalite, at first, had a clear and sharp image in his mind, that is, he decided to place each other's place in this world. But when he had more conversations with the other party, he began to doubt whether the position he envisioned at the beginning was really suitable for Herstal... He needed more contacts, and although it was risky, it was also interesting.

To put it in an ironic way: because he is an artist who demands of himself.

That is at this time, things seem to have changed again:

It wasn't because of the gunman named Jones that Albarino had no interest in a desperate man who broke down, but - when Hardy went to the crime scene to make a transcript, Herstal called someone to help with the investigation. The camera in the big office has a good angle of view and recorded the whole process of what happened.

He watched the video again and was more certain: the gesture that Jones made subconsciously when he shot Herstal, the left side of the body moved forward, and the left hand was raised, as if trying to block cheeks. How fragile that looks, how intuitive—

At that time, a strange realization rose in Albarino's mind. He thought that this person might actually be left-handed.

This should be nothing, there are many left-handed people in the world, but at this moment, his vigilance was aroused.

He remembered that at the scene of the gardener's crime, Officer Hardy questioned why the Westland pianist regarded his brother's jealousy of his younger brother as a sin, and Olga said at the time, "Of course a thought in my mind is not a real crime, but What if Richard Norman had ever put his ideas into action? A failed assassination?"

At the time no one of them thought deeply, but now Albarino realizes that something is not quite right here - the Westland pianist likes to repeat the crimes of his victims on the victims themselves, The way they died must be the crime they had committed.

He doesn't need to go to great lengths to set up a crime scene to express a feeling of "jealousy", that's not his style, or even, that's not his criminal signature.

That is to say, for a murderer who is extremely controlling like a Westland pianist, when he dresses up a victim as Cain, the greatest possibility is that this person is literally trying to murder his own younger brother.

So Olga is probably actually right, Richard Norman really planned the murder of his brother, so the Westland pianist who knew this fact took Richard Norman as his own Victims of dramatic murders.

But if this is the case, it raises another question: The possible scope of the profile they had given to the pianist was wrong. Because the victims chosen by the pianist had criminal histories, some of whose crimes had not even been released to the public, they suspected that the pianist might be a police worker. But assuming that Richard Norman had tried to murder his own brother, the police had not heard a word.

So, the pianist might not be a police officer at all - or even to a lesser extent, the pianist might really be a member of the Norman Brothers gang, or he shouldn't know anything so secretive.

So now the problem is that...

Albarino's eyes fell on Herstal Armalite, the gang lawyer with a cold and polite mask on his face, Albarino still couldn't forget when he looked at the corpse Exposed eyes: Those are not the eyes of a person who was once alive, but the eyes of lifeless flesh.

Ordinary people will not notice, perhaps, this is simply an intuition of Albarino about the same kind.

The question is at all: Could Herstal, the gangster lawyer who probably knew about the Norman Brothers' countless nasty things, who could hide the fact that he was left-handed, could be the Westland pianist?

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