I Created Cthulhu In Naruto

Following the direction that the tavern owner said, Saii looked into the deep alley and found a house with the name of Peters.

The house is as old as the surrounding buildings, and the low single-storey building looks a bit out of place among the surrounding double-storey buildings.

If there is an outstanding painter hidden in this house, then this is very likely, because it is hidden in a deep alley, and few people usually come to disturb his creation.

Sakai smirked again, walked to the wooden door that was so dilapidated that it didn't even fit tightly with the door frame, and knocked on the door knocker.

clang, clang, clang...

Saui knocked three times politely, but there was no response from the master, not even the running sound that the master should have made when he came to open the door.

"Aren't you home?"

Sai knocked on the door again, but still no sound came from inside.

When Sai left the tavern just now, perhaps the tavern owner was worried that Sai would not be able to find Pittman, and came back to take anger at him, so he explained it specially.

"Pittman hasn't been seen for a few days. He's a down-and-out man, so I guess he couldn't pay the rent and was kicked out by the landlord."

But since you are a ninja, you can't enter this ordinary house if no one opens the door.

Sakai took out the kunai from the ninja bag, and easily inserted it through the gap of the wooden door that was not tightly seamed, and then lifted it gently to pry open the latch of the door.

Opening the door, a faint musty smell in the air made Sai frown slightly.

Taking advantage of the weak moonlight outside the door, Sakai found the light switch next to the entrance, and after flipping the switch, Sakai could see the interior of the room clearly.

This is an ordinary room that looks very simple, there are not many old furniture, simple daily necessities are placed on it, and the rest are some things related to painting.

This style is somewhat similar to that of Sai's house. There is a picture shelf in front of the window of Sai's house. On it, there are often landscape sketches outside the window that cannot be completed in time due to tasks.

By the time the mission was over, the scenery outside the window depicted on the canvas had long since disappeared, so Sai has not left a few reliable paintings at home.

In the full-time painter's living room, Saai did not find a painting that seemed to be actively creating.

Walking to the tall cabinet aside, Saii found a receipt for the house rent.

These receipts, which were issued to Pittman by the owner, and the landlord, Peters, fully depict the time Pittman was rented here.

It's not worth looking into when Pittman lived here, but a recent receipt date shows Pittman's most recent rent payment was up to a week ago.

That said, the bar owner wasn't lying, Pittman's rent was indeed due, and judging from the receipt, there should be no renewal of the house.

"Have you moved out?"

Said muttered to himself as he looked at the room that had been transformed into a small studio by Pittman, but after seeing the empty picture shelf, Saii decided to investigate further.

Because for such a poor painter who can't even pay the rent, even an empty painting shelf should be worth taking away, right?

Looking around the studio carefully, Sai found some drawing boards stacked against the wall under the round table in the studio.

The drawing boards were covered with a black cloth, but the black cloth was slightly too small to completely cover the contents inside.

Sai moved the round table away, and then slowly reached out to uncover the incompletely concealed black cloth.

At this moment, Sai didn't know why, but his heartbeat accelerated a little, obviously he should not feel the fear.

Perhaps looking forward to the "superb craftsmanship" of Pickman's paintings, as Ike said, Sakai's eyes were engrossed in his right hand, which was slowly reaching out to the black cloth.

wow...

The black cloth was instantly uncovered, revealing the contents inside.

These are some drawing boards, and the drawing boards are not empty, but have paintings that are not finished products.

The painting on the first drawing board is a simple sketch created with pencil and drawing paper, even if it is a simple sketch, it is an unfinished semi-finished product.

Sai was having a hard time believing what his eyes were seeing, but it was an unnamed but disgusting monster.

It's hard to believe that Pittman can paint such disgusting horrors with only extremely simple brushstrokes.

The moment he saw this painting, Sakai's heart, which he thought had no emotion, still trembled in disappointment.

This trembling was even reflected on the small movements in his hands, and even Sai's arm holding the drawing board shook slightly.

【Get 470 tremor points from Sai! 】

At this moment, Sai finally understands why Pittman is regarded as a heresy in the painting world, because even if such half-finished monster sketches, Pittman's paintings can give people a feeling like falling into an ice cave.

This is very different from the purpose of documenting beautiful artistic creation in traditional painting, as if Pittman's paintings were born to bring fear to human beings.

The next few paintings are not as vague as the first half-finished sketch.

The paintings are equally horrific, and have a terrifyingly accurate hyperrealism.

Pittman's paintings are the most extreme realistic portrayals of objects in reality, and these portrayals are even detailed and realistic enough to rival photographs.

The backgrounds of his paintings are basically appalling places, such as ancient and remote mass graves, deep dark forests, cliffs facing the turbulent sea, deep and dark caves, and ancient rooms where the floor supports a gap for no reason. , Underground cellars stacked with stone bricks...

These are the backdrops for Pitman’s Ten Minutes of Love, a psychic stench on a canvas that gives one’s skin goosebumps just by looking at it.

It's unbelievable, but Sai does feel the magic in Pittman's paintings at this moment.

Because these canvases present not only the daunting and depressing background, but also the "foreground models" standing in front of the background.

The figures under Pittman's brush are full of madness and deformity, and this morbid painting technique has even exceeded the category of "diabolic figure painting".

None of the characters standing in front of these backgrounds still retains a complete human form under his pen!

But under Sai's careful inspection~www.wuxiamtl.com~ each figure in these paintings seems to have some human features.

For example, they seem to be walking upright on their feet, but their bodies are leaning forward, like a group of dogs standing up and bending forward?

After flipping through a few paintings, Sakai finally found the painting that scared Ike to the core, and rushed out of the door without regard for at least etiquette.

"Eating Ghoul"

This is a huge close-up painting of a character. When he saw this painting for the first time, Sai's brain didn't know why, and he was sure that it must be the "Eating Ghoul".

Maybe it's the dog-headed monster that grabs the human head and eats it...

Maybe it's the extreme reality that makes Sai very sure that this is not a fantasy art creation about human beings...

Although it is extremely terrifying, it is more likely to be derived from reality!

【Get 1700 tremor points from Sai! 】