I Created Cthulhu In Naruto

Yamato once taught Sai that only those who have emotions can call it alive.

Whether it is happiness or sadness, only the heart can feel this part of the emotion, and it will not become a walking dead.

At this moment, Sai finally realized what Yamato said and understood human emotions.

Just ignore that what Sai experiences is not happiness or sadness, but the oldest and strongest emotion of human beings.

just fear...

In this "Eating Ghoul", Saai sees a completely horrifying painting of a humanoid monster as a close-up model.

In this painting, Sakai could see that the skin of this humanoid monster was like rubber, and it was faintly glowing in the moonlight.

It held a human head with the claws of both hands, and the human head that was bitten through the scalp and exposed the white skull below still retained the expression of horror before death, and the expressive expression on it seemed to pierce the canvas. .

Thanks to Pittman's extreme realism, Sakai has never seen such a realistic painting, as if Pittman really created this painting on the spot against such a scene.

It's no wonder that when Ike saw this painting, he ran away immediately. As long as his thinking and aesthetics were basically normal, he would not continue to stay in the studio where this painting was placed in a grandiose manner.

In front of Pittman's paintings, Sai's paintings can only be regarded as trivial, not even the most basic gloom.

In addition to this terrifying painting, most of the canvases on the other panels are depicting this kind of humanoid monster with elastic skin like rubber, but these are long-range paintings, depicting the normal life of these monsters Scenes.

This depicts them appearing in groups in sewers, graveyards, and other dark and decaying places, waving their hunting claws for prey in the moonlight, or crouching on the edge of their victim's bed at night, holding up The claws are ready to bite the human throat.

There is also an abominable painting signed in the lower right corner of "Class", but the so-called classroom is not a human classroom, but a group of dog-like humanoid monsters squatting in a circle, and those who are larger The Tearman is showing the "students" below how to eat.

As for the food they demonstrated, Sai would never try such food in his life, or even put it in his mouth.

The content of the remaining paintings is also full of profanity, but it can make these scenes of life stories like a complete line.

Sai can even see from the clues in the painting that a monster was born as a child, learned to eat, then hunted alone, and finally became an adult ghoul.

How did I come up with the name ghoul?

Sai was convinced that he had never heard the word "ghoul" before hearing Pittman's story.

At this moment, although Saii wants to deny their existence, but in his heart, through Pickman's extremely realistic paintings, he believes that this monster named ghoul may not be a complete fantasy.

These Pickmans couldn’t be romantic dreamers, nor did he paint wobbly, colorful, floating dreams, but a cold and profound display of an unwavering horror.

Sai was convinced that these paintings could only be drawn with such remarkable technique after observing that world for a long time.

Sai doesn't know where he catches glimpses of the figures crawling, running, hunting, but of Pittman's unexplained sources of inspiration, only one thing is certain.

That's Pittman's depiction of a horror walking on real earth!

【Get 800 tremor points from Sai! 】

Where?

Where?

Sai kept scanning the sweeping studio, looking for something unusual.

Although the rental receipts on the table show that Pittman's lease has expired, Sai believes Pittman has not left.

These outstanding horror paintings Pittman has not taken away, so Pittman must not have left here!

Sai's heartbeat accelerated, and when he glanced back and forth, his eyes suddenly stopped at a meaningful painting.

This is a picture depicting cracks in the floor of an old room. Unlike other paintings, there are no humanoid monsters in this painting, just a very ordinary portrait of an interior scene.

But unlike other ordinary interior paintings, the time in this painting is night, and the moonlight shines on the floor from the window, which looks a bit eerie.

And the crack on the floor is not actually a crack, but a piece that has been opened.

Beneath this lifted floor, an even more chilling darkness spreads across the canvas, making one wonder what lies hidden in the darkness.

This is a blank painting method, but at this time Saii feels it is more like a hint.

And after a closer look, Sakai found that the old room in the painting was somewhat similar to the room layout of Pittman's studio.

Is it?

Said suddenly looked up at the window, and quickly ran to the front to lift the old curtain hanging on the window.

The moonlight shone on the floor of the room through the window, and Sai really saw something tricky on the floor.

These long strips of floorboards are connected together, and Sai easily stretches his fingers through the gaps in the floorboards and lifts the floorboards.

Below the floor, is a huge black hole.

From the stone wall where the light dimly shone, Sai saw a wooden staircase that looked like a simple staircase.

The dark and low entrance did not inhibit Sakai's determination to enter it. Sakai immediately ran to the cabinet next to him, lit the kerosene lamp, and then walked down slowly with the lit kerosene lamp.

Although this basement is dark, the space is much larger than expected, and even the musty smell in the air is much smaller than the studio on the ground just now.

Through the dim light of the kerosene lamp~www.wuxiamtl.com~ Sai saw that on the walls of the spacious basement, an indescribable shadow was drawn. Perhaps this was some of Pittman's ideas about other terrible monsters.

But it didn't matter, because on the wall, Saii saw a painting again.

This painting was framed extremely delicately, even finer than the already stunning paintings in the studio just now.

And on this painting, Pittman did not draw those ugly humanoid monsters, but an ordinary human being.

Judging from the stable sitting posture and expression of this ordinary human being, this may really be a portrait of an ordinary person.

Pittman Self-Portrait, 10/21/62.

This is the note on the lower right corner of the canvas, confirming that the painting is Pittman's own self-portrait.

If there is no exaggeration of the facts, I have to say that there is indeed a unique artist's temperament between Pittman's eyebrows, and his natural curly hair will make him more attractive than many people in the crowd.