I Created Cthulhu In Naruto

Why would such a brilliant realist horror painter paint a delicately framed self-portrait?

What does this self-portrait mean to Pittman?

After continuing to take two steps forward, Saii saw another portrait of a person.

From the recognizable natural curly hair, Sai can see that the character in the painting is still Pittman, and the signature in the lower right corner of the painting also confirms that it is indeed the case.

Pittman Self-Portrait, 10/22/62.

In terms of time, this painting was created on the second day of the previous self-portrait. The two paintings did not even change the small brown suits they were wearing, and the movements of the characters' hands were almost the same.

However, under careful observation, Sai still found that the Pittman on the self-portrait was slightly different from yesterday.

On Pittman's knees, there are hands that hang naturally together, and the nails of these hands are obviously overgrown.

Especially the long nails on the middle finger, almost as long as half a finger, look like sharp claws.

If the date on the self-portrait is not fake, is it possible that the fingernails on the average person's finger grow this long in one day?

And under the collar of Pittman's self-portrait, Saui saw some very detailed depictions.

It is definitely not a random sketch after the wrong color of the paint, Sakai can feel that the meaning of that part of Pitman is that his skin is festering!

【Get 440 tremor points from Sai! 】

Sai swallowed his excessive saliva from being too nervous, and moved on to the next painting.

At the same distance is also a beautifully framed self-portrait with the figure still sitting in the same pose as the previous two paintings.

It's just that Pittman's skin has shown amazing festering and peeling off, and the festering and fading skin has a gray rubber-like texture. The normal skin and gray skin on Pittman's right half face are mixed together. , looks terrifying.

And Pittman's expression has changed from the initial calm to the grinning grin on the painting, which is full of some kind of peculiar malice.

Sai doesn't know if this is an artistic process or a real thing, but Pittman's eyes do have a scarlet glow on the self-portrait, which is absolutely absent from the first two self-portraits.

The painting time of this painting was October 23, 1962, which was only one day away from the previous painting, which was yesterday at this point in time.

According to the frequency of creating a self-portrait a day, the time for the next self-portrait should be today.

However, when Sai continued to walk forward with a kerosene lamp, he did not find the self-portrait on the wall that should have arrived as expected.

It was empty up there.

Is it not finished yet?

Sakai raised the kerosene lamp a little higher, allowing the light to shine farther away.

In the darkness farther away, as if something was responding to Sai, the same faint light appeared ahead.

Sai stepped forward with two steps, only to realize that it was just a mirror hanging on the wall.

Sakai was so nervous just now that he didn't even notice the mirror placed deep in the basement.

And in the open space in front of the mirror, Saii saw a camera.

This camera is the kind of box camera that needs a tripod support. Although the portability is not high, the picture quality should be guaranteed.

The camera is covered with a red flannel, and the flannel is tightened on the camera by a rubber band, so that it is not easy to fall off easily.

The abrupt camera placed in the basement adds a lot of mystery to the small space.

Driven by curiosity, Sakai put the kerosene lamp on the ground and stuck his head under the red flannel.

Under the red flannel, Sakai's eyes slowly approached the camera's viewfinder.

What you see in the viewfinder is not the real picture, but the last picture taken by this camera. Since no one switched to the next picture, this old camera has always kept the previous picture.

And in this picture, Sakai saw an extremely horrifying picture.

The picture here is certainly not a portrait, and of course it is not.

This is a camera that clearly records and truly reflects a scene that once existed.

And most of this scene is also very familiar to Sai, this is the basement where he is now.

The basement in the camera was brighter, before the oil in the basement wall lamp burned out.

Opposite the camera is a mirror, and the center of the mirror is naturally an unmanned camera facing the mirror.

And in the slightly lower position of the picture, Saii saw what the camera really wanted to shoot.

It was a humanoid monster that was so clear that it seemed to be thrown out of the picture.

It has pointed ears, claws made of sharp fingernails, and gray rubber skin.

And its body is not completely exposed to the air, but is covered with a brown suit that is likely to be scratched by a sharp object.

If the brown suit was covered on Pittman's body, it would give Pittman, who had some extraordinary looks, a little more temperament that could be called handsome.

But covering this monster can only be described as nondescript or uncoordinated.

wrong!

The scratched brown suit is exactly the one worn by Pittman in his self-portrait!

And on the humanoid figure in the last photo on the camera, it's not sitting like Pickman.

It was hunched on the ground like a dog or some other reptile, and its dog-like face was low, and beneath its sharp teeth was some poor man lying on the ground with wide-eyed eyes.

Judging from this relatively secluded location and the recent rent arrears from Pittman, Sai has every reason to believe that the person who was eaten by the monster is the Peters, who is also the landlord of the house.

The **** neck that was eaten and the red meat tumbling was no longer an exciting scene. What was really terrifying was that Peters, who fell to the ground, only had one big eyeball.

Peters' other "left eye" is a black hole, from which one or two ophthalmic nerves flow out of yellow pus.

As for the sphere that most people call the eyeball, the other eyeball of Peters was held in the monster's mouth.

I saw that the monster was holding the eyeball with the upper and lower teeth like it was holding a cherry used to decorate high-end desserts, and at the same time looked back at the camera's flashing spotlight with an "exquisite" side face. .

At this moment, Sakai finally understood why Pittman invited Ike to assist in the creation.

It turned out that the final step in the series called "Pittman Self-Portrait" required Ike to assist in the composition and shooting, because at this time Pittman was completely unable to maintain his sanity.

This is what Pittman knew.

But even without Ike's assistance, Pittman still used his ingenuity to design some kind of mechanism to photograph this amazing scene for himself at a specific time~www.wuxiamtl.com~ The only fly in the ointment is that the camera's shooting angle is a little bit On the high side, if someone can adjust it a little lower, the horror of the picture will be even stronger.

But in any case, his great creation is completed...

And Pittman's model is himself!

As for the poor man Peters, he is just a living sacrifice in the creation of a work of art, a sacrifice to show the most real and **** side of the monster.

At the moment when the rational thinking in Sakai's brain was running at high speed, the slight trembling of his fingers made Saai accidentally touch the button on the camera to take the next picture.

The picture in the camera's viewfinder suddenly refreshed, becoming the scene of the real world at this moment.

In the reflection of the dark mirror opposite, Sakai saw a rickety gray shadow standing behind him, raising his claws high.

【Get 2300 tremor points from Sai! 】